Relieved to be British

Many American funerary practices are so barking mad I don’t bother writing about them. This blog is Britcentric not because it is xenophobic or incurious but simply because it confines itself to goings-on of relevance to Brits.

Sure, we’ve picked up one or two bad habits from the US. Embalming may or may not be one of them. And we have a good deal to learn from their home funeralists and those who are pioneering natural burial.

Once in a while I see Americans doing things that make me relieved to be British. Here, we pride ourselves on our tolerance and sense of fair play. It’s the positive spin we put on our disposition to shrug and acquiesce. Over there they can be far more clamorous in the way they express themselves.

One long-running story I have shunned concerns the activities of the Westboro Baptist Church. Claiming the right of free speech granted by the First Amendment of the US Constitution, members of the church picket the funerals of soldiers in the belief that their death is God’s punishment on America for tolerating homosexuality. More here.

And now we learn that funerals have, in certain milieux, become a revenge-opp. Read all about it here.

Sort of puts a perspective on things, doesn’t it?

The only way round is through

Once upon a time people dreaded dying. They couldn’t be sure it would be painless. They dreaded being dead, too. Some feared the unknown. Others lamented the end of their existence.

A very few people had no fear whatever of being dead because they trusted in a joy-drenched afterlife. But even these people dreaded dying.

Death was a big deal.

In those days, people affected by the death of someone were called ‘the bereaved’. They experienced grief. Even people who were certain that their dead person had gone to paradise were sad because they missed them. So funerals were sad occasions. There was no way round this. It was because everyone was sad.

Because dying could be such a horrible thing, people didn’t talk about it. When they were dead, this made life difficult for everyone. The undertaker would gently say to the bereaved, “What do you want to do?” and the bereaved would reply, “What she would have wanted.” The undertaker would gently ask, “What was it she wanted?” and the bereaved would reply, “We don’t know.”

The pre-need funeral plan people gazed sadly at their unsold pre-need funeral plans and said, “What hope for us when everyone’s in denial?”

People who know what’s best for people saw that what death needed was an image makeover. “It’s not so bad when you talk about it,” they said. And they had a point – up to a point. “It has been said,” they said, “that what we fear most about dying is the associated loss of control. By empowering patients to express their wishes, that control can be restored.” “Does it bollocks,” said the people with neurodegenerative diseases.

The pre-need funeral plan people proved, with smoke and mirrors, that grief can be bypassed by partying. And because no one wants anyone to be sad when they die, everyone flocked to buy their very own pre-need, knees-up party plan.

So now when relicts go to the undertaker, the undertaker says, “Hello.” And the relicts say, “What’s next?” And the undertaker says, “This, this is what’s next. This is what you’ll do, this is what you’ll wear, this is what you’ll listen to, this is how you’ll feel. It’s all laid down and it’s all paid up.”

And the relicts say, “Sorry, we feel too sad, we miss her.” Or, “Are you joking, mate? We couldn’t stand him.”

And Death says, “Right. You’ll do it my way.”

What’s the youth of them?

First it was young women in the dismal trade who grabbed the prurient gaze of the media — that intriguing juxtaposition of beauty and beastliness, fragrance and foetor; the tantalising question: What makes a nice girl want to hang out with corpses? It makes for good photos. Slim young black-clad cane-wielding lovelies can induce a certain frisson in men who have been naughty boys. Silly stuff.

Now, any young deathworker is good for a few column inches, even plain males, and the hunt is on for the youngest. “Is,” asks This Is Leicestershire, “this Leicestershire teenager UK’s youngest undertaker?” At but seventeen, and only just out of short trousers,  George Simnett (above) is their challenger for the title.  Why does George want to be an undertaker? “‘Even when I went to family funerals as a little boy, I used to see undertakers looking so smart and dignified and think to myself “I’d like to do that. That could be me.”‘ He adds: ‘”A lot of the job is about being caring and understanding with people who are in a very difficult emotional place. That’s the part I love because it’s so satisfying when you get it right.”‘ He seems to have what it takes. His heart is clearly in the right place.

Does it matter what his age is?

Talking of juxtapositions, The Daily Mail reports the funeral of Des Young, legendary JCB operator, who was carried to his funeral on the forks of a JCB. There’s a photo (copyrighted so I daren’t pinch it) showing the funeral director ‘paging’ the JCB. Delightfully anomalous to my eye. To yours, quite possibly, smart and dignified.

Variants, please

There’s quite a good joke here — it must be an old one but I’ve not come across it before — in this week’s Spectator by Robin Oakley. It goes:

Asked why he had sent a wreath in the shape of a lifebelt, a friend at the funeral of the man who had drowned replied, “It’s what he would have wanted.”

There must be an infinite number of variants on this. What’s yours?

One to see

There’s an exhibition on at Compton Verney, 13 November til 12 December, entitled Kurt Tong: In Case it Rains in Heaven. It’s a photographic celebration of the Chinese custom of burning paper consumer goods of all sorts — clothes, cars, iPods — in order to provide for the dead person in the afterlife. It’s a custom that probably makes little intuitive sense to anyone not brought up in the tradition, by which I only mean that it makes little intuitive sense to me.

As well as being a lovely place with a very good restaurant and a tradition of excellent exhibitions, Compton Verney is home to the largest single piece of stone ever taken from the Isle of Portland. It’s a boulder 5 metres high and weighs 100 tonnes. Its installation was the inspiration of artist John Frankland. They had a heck of a job getting it off the island, I remember it well, and having got it to its destination the best name Mr Frankland could find for it was ‘Untitled’, which sounds a bit like artspeak for ‘Er…”

I digress. If you’d like a foretaste of Tong’s snaps, have a look here.

It won’t make you dead

Gail Rubin is a writer and blogger in Albuquerque, New Mexico. I’ve just looked up Albuquerque on google maps. It’s a long way from a decent beach.

Gail has written a book, A Good Goodbye: Funeral Planning for Those Who Don’t Plan to Die, which will be published at the end of this month. She also does some outreach work for an excellent funeral planning website, Funeralwise.com. It’s full of good advice; it’s well written and intelligent.

I’ve ordered her book already, and I urge you to do the same. Here’s what Gail says about it:

“Just as talking about sex won’t make you pregnant, talking about funerals won’t make you dead – and your family will benefit from the conversation. A Good Goodbye provides the information, inspiration and tools to plan and implement creative, meaningful and memorable end-of-life rituals for people, and their pets, too.”

Joe Sehee, executive director of the Green Burial Council, says: “Gail Rubin takes on society’s last taboo in a readable, practical manner with a light touch. It’s a great read for anyone who isn’t sure about this ‘death thing’ and how to best prepare for it.”

I’m looking forward to getting my copy. You can order yours here.

When Gail was in college thirty years ago, in an enterprise which prefigured her later immersion in the logistics of mortality, she made the short spoof  (above) of gloomy old Ingmar Bergman’s Seventh Seal. It made me chuckle and I hope it has the same effect on you.

Happy tail

Charming story here from Australia about funeral director John Hopkins who brings his dog Finbarr to work every day.

“He’s a great icebreaker,” John said. “Families come in here not knowing what to expect.

“They often haven’t dealt with a funeral home before and they’re apprehensive.

“He gives them a lick and will lie at their feet and start snoring – it makes them feel more relaxed.”

John enjoys telling the story of the time ‘Fin’ was asked to lead a funeral procession and ride in the hearse to a funeral by a family.

And where do you suppose the good Mr Hopkins was born? Why, Wagga Wagga!

Blessed are the risk-takers

There’s a strong feeling among funeralistas that making money out of death is wrong, naff, reprehensible. This is good news for consumers. I’ve met a good many vocation-driven undertakers who could charge far more than they do but they won’t because they think it’s… wrong. Ironically, even the greediest, porkiest undertaker will lend his or her voice to indignantly and righteously denounce a celebrant who charges much more than a retired priest.

My own credibility (such as it is) is founded in the fact that I can’t make what I do pay. In any other industry this foolhardy indigence would earn me derision. In Funeralworld it is my indispensable calling card, my most disarming attribute.

I don’t buy all this. I think that the labourer is worthy of his or her hire. If you can be of use to someone, send them a bill which reflects your value and their ability to pay. Wish I could.

The newly-launched end-of-life planning service Lovingly Managed has attracted some tsk-tsk-ing. But it serves a need which no one else is serving, a need which is going to grow as the population ages, grows spectre-thin and dements. There are aspects to end-of-life planning which, to many, will be either difficult to get your head around or just plain tedious. Necessary, though. Will writing. Lasting Power of Attorney for the time when you lose your wits. An ADRT for the time when you want them to leave you alone. Information and guidance about body donation, assisted dying, tissue donation, financial planning, funeral planning. Who’s going to look after the dog? There’s a lot to it. Lovingly Managed sit down with you, take you through it and fill out the boring paperwork – just like my accountant and, recently, my brilliant mortgage person. “Sign here.” Done. Worth every penny. You love people like this too.

Lovingly Managed is run by expert, ethical people headed by a solicitor. They present no threat to anyone else in Funeralworld: they are plugging a gap. Have they got the tone right on their website? Not yet, perhaps, in places, I don’t know. No worries. They’re bright so they adapt. I’ve spoken to Denise Jones who heads it up. I like her. A lot. People need what she and her team are doing.

Another busy bee in this emerging niche market of end-of-life planning is Paul Hensby at MyLastSong. This is one of those sites where you record your plans and wishes – you buy yourself a virtual box and fill it up. When I first saw the site and detected its commercialism I tsk-ed a bit. It gets to you, this sniffiness, doesn’t it? Well, he’s working bloody hard to make it work. He’s a nice guy. Is MLS what people want? Don’t know til you try, do you? I really don’t see why not.

To do something new requires vast reserves of self-reliance and stubbornness and reckless optimism. You think you’ve got a winner, that’s what sustains you through the dark days. The best ideas and the worst ideas, we remind ourselves, are greeted equally by cries of “It’ll never work!” You never know til you try. Let’s acknowledge the courage it takes to take risks.

Check out their websites. While you’re at it, vote in the poll on the MLS website – top right on the home page.

Rattle his bones

There’s been quite a lot of nattering in the papers lately about the society-shaming rise in the number of what they like to call pauper funerals. Yes, shock horror, more and more people are dying without leaving enough money to pay for their funeral. So, even in this day and age, they suffer the, er, terrible indignity of a pauper’s funeral.

What does this mean exactly? It ought to mean that indigent modern-day skint corpses are wheelbarrowed stark and naked through the streets either to the anatomist or to a communal pit, serenaded along their way by jeering urchins—hoodies in new money—chanting “Rattle his bones over the stones; / He’s only a pauper whom nobody owns” – except in a twenty-first century rap version, of course.

Back in the day a pauper’s funeral was a matter of terrible stigma. But the regrettable truth (from the media point of view) about today’s indigent funerals is that they are pretty much indistinguishable from anybody else’s. Sure, if it’s a burial, you’ll go in a grave beneath or atop strangers. Such a big deal? Terrible stigma?

What’s more, all paupers aren’t the same. There are different sorts of modern-day ‘pauper’ needing to be funeral-ed. There are those who die alone, all family contacts having predeceased them or simply walked off the case. There are homeless anonymous people (John Does, they call them) hauled out of canals. I think we can be pretty proud of the way society looks after blameless folk such as these as, also, those who have to have a public health funeral because their relatives refuse to arrange a funeral for them.

Not all dead paupers are to be pitied, though. Some of them are downright feckless. Could they have saved up enough money for their funeral? Yes, they could. Instead, they die leaving a godawful mess for others to clear up. I remember the partner of a man who steadfastly refused to make provision for his imminent death. When he died his partner shouldered responsibility, applied to the social fund and doubtless, in time, received a contribution towards the cost of the funeral – but it won’t have been enough to spare her months, probably years, of debt. By contrast, I recall the ne’er do well who, glimpsing the Grim Reaper’s shadow, saved up in a year and a bit enough money out of his Disability Living Allowance to pay for a very decent funeral. It was the height of good manners.

The number of people dying alone will, as the population ages, continue to rise. Nothing anyone can do about that. But if the number of feckless paupers rises steeply, the state has a choice: bring back the stigma or bring back the universal death grant.

It’s not pauper funerals but the level of the social fund payment which shames society. It doesn’t lead to proper old-fashioned pauper funerals, it simply beggars those who are left.

That rhyme in full:

There’s a grim one-horse hearse in a jolly round trot;
To the churchyard a pauper is going, I wot:
The road is rough, and the hearse has no springs,
And hark to the dirge that the sad driver sings:–
Rattle his bones over the stones;
He’s only a pauper, whom nobody owns…

Poor pauper defunct! he has made some approach
To gentility, now that he’s stretched in a coach;
He’s taking a drive in his carriage at last,
But it will not be long if he goes on so fast!
Rattle his bones over the stones;
He’s only a pauper, whom nobody owns…

But a truce to this strain! for my soul it is sad
To think that a heart in humanity clad
Should make, like the brutes, such a desolate end,
And depart from the light without leaving a friend.
Bear softly his bones over the stones,
Though a pauper, he’s one whom his Maker yet owns.

Trying it on

Here’s a bit of fun. Over in New York there’s an exhibition in the Merchant’s House Museum of post mortem photographs from the Burns Archive. It’s an interesting exhibition space:

According to historic preservation rules the installation had to be creatively planned. No photos could be hung on the walls or placed directly on the furniture of this beautifully preserved 19th century home, nor could there be bright lights or flash photography. Memento Mori curator Eva Ulz did a great job of displaying a rich amount of information to compliment the historical and contemporary images. Early daguerreotypes and ambrotypes are exhibited in closets, waiting to be discovered. Three traditional wood displays encase memorial ephemera including postmortem photographs, coffin plates and cards. There is a sound and scent component to the exhibition as well- the rooms are perfumed and subtle recordings can be heard.

The best part, for my money, is the coffin in which you can have your own post-mortem photo taken. No Goth party should be without one.