A Co-op good news story

You may remember the case of Lisa Mullan, whose father chose to be buried at Crossways woodland burial site but, because of an administrative muddle, ended up being buried somewhere else. 

We’ve just heard some good news from Lisa.

Co-operative Funeralcare sector manager Jack Walsh subsequently invited Lisa’s mother to a meeting. There, he gave her £200 (the 20% admin charge retained by Martin Chatfield of Crossways); a written apology; and a bunch of flowers. Lisa’s mother has donated the £200 to the North Wales Mountain Rescue in honour of her husband. 

Well done, Co-op! We hope that Lisa’s family will now be able to grieve her father freed from the distress brought on by the way his funeral arrangements had been handled. 

ED’S NOTE: We understand from Martin Chatfield, at Crossways, that he has not yet had any contact from the Co-op. To his costs were added, you may remember, the cost of cutting his holiday short, including unused accommodation and a special flight home. We very much hope that the Co-op will attend to him next. 

Farewell, T-Model Ford

From the obituary in The Times (£)

Blues musician whose whiskey-fuelled guitar playing, raw lyrics and risqué repartee made him the toast of the Mississippi Delta

It was difficult to distinguish between reality and legend in the life of T-Model Ford. Like many of the great bluesmen, his ability to self-mythologise and his delight in weaving picaresque tales about himself were considerable, so that he appeared to have been dreamt up by central casting. What is certain is that he played and sang with a passion that was as raw and stark as it was eccentric and captivating, and which made him one of the last links with the great blues tradition of the Mississippi Delta.

He never learnt to read or write and although he claimed to be 93, nobody knew his true age for sure. But if the details of his life are unverifiable and may have been embroidered over the years, the narrative he told was credible and consistent with the harshness of black life in the segregated Deep South of pre-civil rights times.

He came from a sharecropping family descended from slaves and he was ploughing fields behind a mule by the time he was 11. There were several spells in prison and two years served on a chain gang, after he was sentenced to hard labour for killing a man in a knife fight in a juke-joint. He bore scars on his ankles from the shackles, which he would show off when telling the story. He said that the killing had been in self-defence.

He was married half a dozen times and fathered an estimated 26 children. His first wife allegedly ran off with his father. Another drank poison to terminate a pregnancy and died. He came to music late and started playing the blues in his late fifties when a later wife — he thought she was probably number five — gave him his first guitar.

“She was all the time running off, leaving and coming back,” he said. She agreed to stay if he learnt to play, and, according to the Ford version, he stayed up all night drinking moonshine whiskey while he taught himself the rudiments. “She left the next Friday night,” he added ruefully. It was a great punchline — and the start of a new career.

Ford played guitar in a highly unconventional manner. As he did not know how to tune the instrument, he invented his own unique method. The results were ramshackle but added a haunting tonality to his music. Other musicians joked of his idiosyncratic style that he played “in the key of T”.

After moving in 1973 to Greenville he began to play in local bars and clubs located on the town’s famously wild Nelson Street, attracting attention with his rough, old-school style and strange, rhythmic guitar playing. “He’d play late, then he’d spray himself with a bunch of mosquito spray and sleep in his van,” according to Roger Stolle, owner of the specialist blues record Cat Head store in Clarksdale, Mississippi, and one of Ford’s early champions.

A bottle of whiskey was kept close by on stage and on his tour of England in 2007, notices were posted asking the audience not to buy him a drink. His fund of tall tales spilt out at random between songs and his rapport with his audience was colourful. One of his favourite gags was to pick out an attractive woman in the crowd and tell her partner: “You’d better put your stamp on her because if she flags my train, I’m going to let her ride.”

Other musicians found him difficult to work with, in part because of his feral, untutored style but also due to an unpredictability that on at least one occasion saw him attempt to stab a fellow band member. Fat Possum’s founder, Matthew Johnson, described him as “the friendliest fun-loving psychopath you’ll ever meet”.

Can we agree to differentiate?

Ed’s note: Here’s your chance to interrogate the BHA on humanist funerals. If you’ve something to say, say it. Hannah or another BHA representative will respond. 

Guest post by Hannah Hart from the British Humanist Association explains the basics about humanist funerals, what happens at them and how they are organised.

The 2011 census showed that at least a quarter of us are not religious, and certainly many of us know we wouldn’t want a religious funeral for ourselves. 

So it’s no surprise that has been an enormous increase in number of non-religious funerals over recent years. Mostly this is to be welcomed; it signifies there is a real alternative for those for whom a religious service would feel inappropriate or hypocritical. 

But it also means that choosing the right person to lead a funeral can seem overwhelming, especially at an already difficult time. So how do you work out who would be the best choice in your situation?

 First things first: what is Humanism?

Humanism is a positive approach to life based on reason and a concern for humanity and the natural world. It is neither religious nor superstitious. 

We think that people are able to make ethical decisions based on experience and compassion rather than, for example, religious teachings. 

And what does Humanism have to do with funerals?

Humanists think that we each have one life, and one life only. We think funeral services should reflect this. And since there’s no issue of what happens after death to address, our funerals can concentrate on the life lived. 

So humanist funerals are about the profound sadness of saying goodbye whilst also celebrating the life and legacy of a loved one. They provide a very dignified and very personal farewell. 

And what is a ‘humanist celebrant’?

Celebrants are people who create, write and conduct ceremonies. 

Humanist celebrants are those who conduct and create non-religious ceremonies. They are sometimes called officiants or even humanist ‘ministers’. 

And Humanist Ceremonies™ celebrants have been trained and accredited by the British Humanist Association (BHA), a registered national charity representing the needs of non-religious people. Providing high-quality ceremonies is big part of the BHA’s work. 

Why do people choose humanist funerals?

Often because they feel it will most accurately reflect the personality or outlook of the person who has died. And many people come to us having been to another humanist funeral and actually enjoyed it; they’ve perhaps found it more honest and moving than other services they’ve attended. 

I’m not sure if the person who has died could be called a ‘humanist’. Does this matter?

Not at all. Our funerals are available to anyone who wants to mark their loved one’s life in a non-religious, personal, meaningful way. 

But I don’t want to offend anyone. Will it be ‘preachy’?!

Absolutely not! Our celebrants are there to provide an appropriate, personal, non-religious funeral – not to promote a cause. And every funeral is carefully designed to be inclusive of all present. 

What actually happens at a humanist funeral?

Each ceremony is unique, written specifically for the person who has died. In terms of structure, it may contain music, a welcome and then a tribute section of up to fifteen minutes. Time for reflection often follows, then the committal, and then closing comments.

Sounds great… but a lot of work.

This is where the celebrant comes in. Their job is to makes things as easy as possible. They meet key members of the family or close friends and talk about what is wanted from the funeral and about the person who has died. They then co-ordinate contributions and write a bespoke ceremony, making sure everyone is happy with this before the day itself. 

Where are humanist funerals held?

Most are held in crematoria and some at burial grounds, but since funeral services have no legal status they can be held wherever a family wishes.

 We also conduct a growing number of memorial services (when there is no body to inter). These are held at all sorts of venues.

Do you allow any religious content in your ceremonies?

Our ceremonies are non-religious but we recognise that there are aspects of religious reference embedded in our culture and day-to-day experiences. For example, certain hymns can remind people of their youth or even of their favourite rugby team. We are happy to include this sort of content where it helps to reflect the person, but not as an act of worship. 

How are your celebrants different from other non-religious celebrants?

There is a wide array of people working as celebrants and so it’s impossible to generalise about what they do and how well they do it. 

What we can do is assure you of the British Humanist Association’s approach and our commitment to quality. And we’ve certainly got experience on our side; our members were conducting humanist funerals as far back as the 1890s! 

Our celebrants are carefully recruited and trained to the highest standards. They are quality assured and regularly observed, follow a strict code of conduct and undergo continued professional development. 

How do I find a humanist celebrant?

Many funeral directors can recommend a Humanist Ceremonies celebrant or you can look for someone yourself on our website

Our network is as diverse as the clients we serve, enabling you to find a celebrant that is just right for your particular situation. 

And our celebrants are always happy to be contacted with any questions or simply for a quick chat so that you can decide with confidence if they are the right person to conduct your loved one’s funeral.

Work is love made visible

“I think one of the most important aspects of the coffin is that it can be carried. And I think we’re meant to carry each other, and I think carrying someone you love, committing them, is very important for us that we deal with death; we want to know that we have played our part and that we have shouldered our burden. So, if we make it too convenient, then we’re depriving ourselves of a chance to get stronger so that we can carry on.”

Marcus Daly

Thanks to Chuck Lakin for alerting us to this.

Good Funeral Awards, Sky 1 tonight at 10.00pm

The Good Funeral Awards is an hour-long documentary, one of a series covering a variety of heartwarming events designed to lull viewers into a good feeling that all’s well in a world that has such people in it. 

Well, that’s what we were led to suppose, and a number of bereaved people let us into their funerals on that understanding. 

If true to its declared intention, the programme will illuminate not only the work but also the hearts of those who work with bereaved people — there should be plenty of backstory on some of Funeralworld’s nicest inhabitants. I told the director firmly and sternly that if anyone is to come out of this looking a chump (someone has to; it’s part of the formula), it’s me. Fair game, fair do’s, I can take it. (The director looked relieved.) 

Of course, we haven’t a clue what to expect. We haven’t seen it, we weren’t paid anything — all we can do is cross our fingers and hope we haven’t been stitched up like trusting little kippers. Our objective was to sing the praises of the unsung heroes of the funeral industry. Selective editing could transform us into a terrorist cell. 

True to the GFG’s open-abuse policy, we offer you, as ever, the opportunity to let off steam in an unbridled, uncensored and unmoderated way below. We only ever bar comments which are potentially libellous. 

Details of viewing times on other Sky channels here

Bespoke poems as funeral eulogies

Posted by Richard Rawlinson

Poems are often read at funerals.

Here are just a few, including WH Auden’s Funeral Blues, which moved many cinema-goers to tears when featured in Four Weddings… ‘He was my North, my South, my East and West/My working week and my Sunday rest…’

But are many celebrants confident enough in their word skills to craft a bespoke poem based on their understanding of a person’s character traits and unique story?

Helen Bennett advertises this service on her website. ‘There are many wonderful eulogy poems out there that are for general use, but for many people they can seem overused, impersonal and inappropriate,’ she says. ‘If you want something that really is very personal… then I can help you’.

It’s a shame she doesn’t post a few examples of her work to give us a flavour.

Above is The Dead by former US poet laureate Billy Collins. It doesn’t take the form of a eulogy about a specific person, but it evokes a soothing image of the after-life and comes with an animation for the YouTube generation.

And here’s my attempt at a sonnet of iambic pentameter, again unspecific, and more concerned about rhyming than moving.

We do not know

We do not know when or how we shall die.
Will we even have time to say goodbye?
A deadly disease or quick accident,
In peaceful sleep or by something violent?

We do not know where we go at the end.
Heaven, Hell, Nowhere, or does it depend?
How do we prepare for this great mystery,
What acts and beliefs define our history?

We do not know why we love or hate so
Until we acknowledge it all has to go.
Life matters more because Death’s at the door,
Merging as one with eternity’s law.

We do not know when or how we shall die,
May God give us grace for our final sigh.

Nina Wigglesworth on Pre-Planning

Guest post by Kateyanne Unullisi 

I love dogs. God I love dogs.

And now it’s nearly time for a dog I love to die. Nina, my daughter’s dog. The Golden Retriever puppy she got when newlywed in 2001 is now 13-years-old; and though lumpy and halt, she is ever patient and tender with their three young children.

This could go many ways. I could take it on, in the name of sparing the family more pain. I could leave them to it; after all, I have plenty to deal with myself. Or we could use this sad time as guidance for Death in Our Little Family (dogs included). Because really, it’s been our dogs who have already been showing us the way.

Aiko, my Collie mix, mothered little Nina, who, when she understood she wasn’t to bark at every slight thing, rushed through the house in search of socks. Then she whisper-barked into them, wagging her tail so hard she fell over. That’s why we call her Nina Wigglesworth.

Nina and Aiko, best friends, invented the game ‘Soccer Ball,’ then taught the two-leggeds how to play. Here’s the rules: the humans stand in a great circle and all dogs take themselves to the center (which resulted in bringing all the closed off neighbors out of their houses to play). This included Star, the Border Collie, a clever girl who was aces in assist, Pili the Cocker Spaniel, the look-at-me-I’m-so-cute cheerleader type, and other four-legged transients in for a good game of pickup. A human kicked the soccer ball into the center and the dogs squared off, sometimes in teams, sometimes dog eat dog. First one to touch the ball, regardless of species, won. There was no keeping score.

Did you see the part where the neighbors came out of their houses and got to know one another? The dogs did that.

Aiko – teacher friend dog – died last year. I did that. I made the decision that 15 years and a quit hind end was enough to ask of her, called the vet to our home, and lay by her on the floor as she died. May I carry my sorrow with as much grace as she carried her pain.

And now it’s Nina’s turn. The time has come for my daughter to make this decision herself. She says she just wants to wake up and find Nina dead, to which I say, good luck with that. These dogs love us so, they just won’t leave.

My urge is to get all the planning details sorted: vet, babysitter, crematorium. I will do some of it, since Aiko taught me how. But what kind of elder would I be to disallow Nina and my daughter the grace of learning? Taking on too much just gives them feeble lessons in how to handle the logistics of death.

It may not surprise you as much as it does me, but I’m likely to die too, some day. So mine is a death my kids will also need to attend to – and a few others in their lifetimes as well. When we pre-plan our own end-of-life details without taking our (30 or 40 or 50 year old) kids’ hands and walking them into the funeral home-crematorium-cemetery, we have failed them. Big. This is a teachable moment!

Planning ahead – well, some of it makes sense and some of it doesn’t. Don’t pay ahead – show your kids why – and here’s some damn good reasons if you don’t know. Don’t plan to the letter and take that privilege from them. They need to do that when you die and they’ll do it well, because you showed them how.

This is adventure! Wander the cemetery where your finished body will be buried or hike the high cliffs your ashes will be strewn over. Take along the dog. Start talking. Bring them (what the hell, bring the dog too) to meet with a few funeral directors and show them the difference between a good, a bad and a thievishly ugly undertaker. Kick the caskets, run the numbers, then get the hell out of there and head for a cold pint.

After Nina goes, in the spirit of teaching and in gratitude to our dogs, I will pre-plan my death (supposing I will die someday) by giving my daughters a roadmap, but not the exact itinerary. They can and should work that out themselves. I just hope there’s a pack of dogs there playing a good round of Soccer Ball after all is said and done.

No Way

Over in the Philippines, karaoke is a popular pastime. According to the New York Times, after a hard day’s work, there’s nothing a weary person likes more than to find a bar, glug a beer and belt out a classic or two. 

This is not a matter of audience indifference. You’ve got to be good or you get stabbed:

In the past two years alone, a Malaysian man was fatally stabbed for hogging the microphone at a bar and a Thai man killed eight of his neighbors in a rage after they sang John Denver’s Take Me Home, Country Roads. 

One song is strictly off limits everywhere. Simply too dangerous. My Way. 

The authorities do not know exactly how many people have been killed warbling My Way in karaoke bars over the years in the Philippines, or how many fatal fights it has fueled. But the news media have recorded at least half a dozen victims in the past decade and includes them in a subcategory of crime dubbed the “My Way Killings.” 

Why? 

Butch Albarracin, the owner of Center for Pop, a Manila-based singing school that has propelled the careers of many famous singers, was partial to what he called the “existential explanation.” 

“‘I did it my way’ — it’s so arrogant,” Mr. Albarracin said. “The lyrics evoke feelings of pride and arrogance in the singer, as if you’re somebody when you’re really nobody. It covers up your failures. That’s why it leads to fights.” 

The song never leads to carnage at polite British funeral. But does it possibly leave a subliminal bad taste in the mouth? 

For what is a man, what has he got? 
If not himself, then he has naught

Read the entire New York Times piece here.

Come on, it’s not rocket science

Churchill was mulling over a cabinet appointment, weighing up the merits of a candidate. Glancing towards his principal private secretary he enquired: “What about So-and-so?” The PPS murmured: “Simply won’t do, Prime Minister.”

They talked like that, then. They understood the thermonuclear power of understatement.

That same PPS might have pronounced the same judgement on a number of today’s funeral celebrants.

In the beginning were the humanists. Then came the civils. Then the Green Fusers. Then the AOIC. Then, in what order I knoweth not, the Fellowship of Independent Celebrants, the Fellowship of Professional Celebrants, Perfect Ceremonies, County Celebrants, the Scottish Independent Celebrants Association… That’s as many as I can be bothered to track down in 5 mins of googling. These are all training organisations. There’s a bunch of self-taught freelancers out there, too. Together they’re breeding like rabbits. Demand for secular funerals is rising, but is it really rising this fast? 

So who’s good and who’s not? If there needs to be a cull, who needs to go? 

If you were to say that some celebrants are better than others, how would you make that value judgement? Where’re your criteria? 

If it’s about brains, what level of intellectual attainment does a celebrant require? Some would say you need to be really quite bright to be any good at this work. It helps with the thinking and the listening and the writing. You need grammar, you need spelling, you need vocab, you need apostrophes. It does no harm to be well read. You need a formidable armoury of brain cells to create something appropriate and thoughtful and meaningful that articulates the feelings and values of the mourners and makes a funeral intellectually, emotionally and spiritually useful.

How are we to rate performance skills? Just as a beautifully crafted script can be devalued by mumbling, so can an indifferent script can be made much of by excellent delivery, a compelling presence and a mobile face. As to the quality of the thoughts and ideas expressed, one person’s banality is another person’s enduring wisdom. A lot of clever stuff uttered by brainboxes possibly passes over everyone’s heads. Style may count for more than substance, emotional rapport for more than cerebral rigour, with an audience whose minds are suffused with sadness. 

What about motivation, then? Celebrancy has got to be vocational, hasn’t it? You’ve got to have a sense of mission, surely? You care about your work so much that you spend hours agonising over every script. You wouldn’t dream of taking on more than five ceremonies, max, a week. Three, even. 

There is no doubting that bright, vocation-driven celebrants work incredibly hard at what they do. They reflect on their work self-critically, hanker to do better, are never satisfied with themselves. They are, in their way, admirable human beings. It’s not the money they do it for, not principally, it’s the getting it right that gets them out of bed in the morning. But are they in the wrong line of work? Is it really this hard?

When I posted a video of David Abel, of the Fellowship of Independent Celebrants, on the GFG’s Facebook page,  comments were universally disparaging. Mr Abel, addressing would-be celebrants on his website, doesn’t address the matter of vocation at all. He doesn’t talk about supporting bereaved people and creating meaningful funerals in a secular age. He bypasses philosophical and vocational values and confines himself entirely to money matters: “It’s a market that’s very quick to get into … Some of my colleagues are conducting eight to ten funerals a week at a minimum fee of £150.” Watch him here.

The verdict of the market would seem to be that Mr Abel and the celebrants he trains are doing a perfectly good job at 8 to 10 a week. If he neglects to talk about vocational values in his video, his organisation requires high ethical standards of its members. Furthermore, Mr Abel has been instrumental in working to establish an umbrella organisation for all celebrants in order to drive up standards. 

Just as funeral directors conduct their own backstabberly feuds in the best traditions of any caring profession, celebrants, too, are prone to really quite beastly factionalism. This is not just a matter of turf wars and power plays, though, goodness knows, these abound. Nor is it as simple as mutual animosity between visionary pioneers and cut’n’paste journeymen. 

It may be the case that some celebrants take themselves more seriously than the job demands.

Wherein lies the value of a funeral? 

Nominate someone now for a Good Funeral Award

When the GFG first pressed its impertinent urchin nose to the window of Funeralworld and started commenting on what went on, responses from the inhabitants were predictably growly. Unaccustomed to consumer scrutiny, and holding themselves in a somewhat tender self-regard, many undertakers muttered reproachfully. Well, sorry, but consumer scrutiny is what you get in any market; and as for funerals, they belong to all of us. 

When we announced the first-ever Good Funeral Awards last year we didn’t kid ourselves about how our Just-William initiative would be received. The cheek! Who in heaven’s name were we to go around bestowing Oscars on the Dismal Trade’s finest? 

The outcome was a glittering evening filmed by Sky. One of the winners, together with a speaker at the festival, were interviewed on BBC Radio 4’s Saturday Live. All the winners got coverage in their local media. When our gravedigger of the year, Bernard Underdown (Dickens himself could not have dreamed up a better surname), went to church the following Sunday he got a standing ovation from the congregation. 

Verdict: the urchins are actually rather well-informed observers and they did a pretty good job of making the world a happier place. 

Which is why we did it, dammit. And it’s why we are doing it again. 

Because, for all that it’s a fun event, it is also a very serious one. It’s fun, but it’s not frivolous. 

Some of the best and nicest people in Britain work in the funeral industry. Someone needs to tell their stories.  

And if the result is media coverage, better understanding of a much-misunderstood industry and greater engagement with dying and death, that’s a result. 

Whether you can come or not, please, please nominate someone you know and admire for an award. You can do that here

Most Promising New Funeral Director

Embalmer of the Year

The Eternal Slumber Award for Coffin Supplier of the Year

Most Significant Contribution to the Understanding of Death

Crematorium Attendant of the Year

Best Internet Bereavement Resource

The Blossom d’Amour Award For Funeral Floristry

Funeral Celebrant of the Year

Cemetery of the Year Award

Gravedigger of the Year

Best Funeral Arranger

The Bereavement Register

Funeral Director of the Year

Best Alternative to a Hearse

Green Funeral Director of the Year

Lifetime Achievement Award

We very much hope you will be able to come. You can book here.

Lastly, you can watch the documentary about last year’s awards on 18 July at 8.30 on Sky1 Details here