Thoughts of a funeral-goer

Posted by Lyra Mollington

Editor’s note: before reading Lyra’s latest thoughts, it may be helpful to read last week’s Thoughts of a funeral-goer.

When we saw a sign for the crematorium on the outskirts of Aldershot, my heart sank.  Not a café in sight – only garages and car showrooms.  Barry’s face lit up for a split second but he knew that there was no point in even asking.

Not that there was any time for coffee or new cars.  The traffic coming out of Richmond was dreadful that morning and we were only half an hour early.  The car park was almost empty but I knew it would be filling up fast.  Before everyone else began to arrive, I wanted to take a few photos and find somewhere for Barry to do his breathing exercises. 

First stop was the waiting room – bright, clean and tidy.  To my delight I spotted a poem by Sir John Betjeman sitting on an Ercol coffee table.  But this was not the time to be reading poetry.  I took a photograph instead.  

Ignoring Daisy’s protests, I walked through to the main entrance and found the ideal place for Barry to prepare himself: the vestry.  He entered reluctantly, only to come straight back out again.  Apparently, there’s a huge window overlooking the main drive.  Anyone could look in and he wasn’t going to risk it.

I peeked into the chapel.  It was empty.  Perfect.  This was Barry’s opportunity to stand at the lectern and do some visualisation exercises.  We’d barely taken three steps inside the door when someone asked, ‘May I help you?’ It was the organist, hidden in a corner at the back.

In reply, Daisy let out a small yelp.  Barry, however, didn’t miss a beat, ‘If you could read my speech for me, that would be very helpful indeed.’  The organist smiled politely. 

Back in the waiting room, Barry told us that he didn’t think there’d be any ‘sombre organ-playing’ for our service.  Richard was a Status Quo man.  According to Barry, ‘If there’s no Quo, it’ll be a travesty.’  Daisy rolled her eyes.

With five minutes to go, the waiting room was full to bursting.  A smart young man invited us to enter the chapel.  Unfortunately for Barry, it was a double slot and a quick word with Richard’s son confirmed that he would be speaking just before the committal.  Which might be fifty minutes away.

All of Richard’s wives were there.  The youngest of the wives looked lovely in a short electric blue dress with matching fascinator.  And sunglasses!   

The minutes ticked by and we were told about Richard’s childhood; his marriages; his passion for golf; his love of fine wines and his successful career in financial services.  As we were listening to the music for reflection, I suddenly realised that my mouth was dry and my heart was racing.  I was nervous. For Barry.  I glanced at Daisy who was staring at her feet.  She looked terrified. 

Barry, on the other hand, seemed completely relaxed.  When his name was announced, he strode confidently towards the lectern.  To be on the safe side, I started sending instructions to him – telepathically. 

(Smile…)  He began by explaining that he and Richard had known each other since they were five.  (Not too fast…)  He went on to say that it was no surprise to him that Richard would want to have the last word.   Everyone laughed enthusiastically.  (Well done, but don’t lose focus: remember, funeral audiences are easily pleased…) 

As the laughter subsided, Barry paused before reading Richard’s message.  (Good – lots of pauses in all the right places just as we practised…) 

‘If all has gone to plan, Barry is reading this and I’m dead.  Not that I planned on dying this young.  Truth be told, I’m completely hacked off that he’s reading this at my funeral and not the other way round.  But maybe that serves me right for being an insurance salesman.  Which reminds me: to all my colleagues, if you’ve managed to get the day off, some advice for you.  Take early retirement.

I really have had a great life.  Granted, I’ve had more wives than children which isn’t ideal.  But making mistakes is what life is all about.  As long as you learn from them.  Which was probably my biggest mistake of all.  But what the hell.  And, by the way, I don’t believe in hell.  Or any other kind of after life.  

But I do believe in THIS life.  And if you’re feeling sad – don’t.  I’ve packed a lot into my 64 years.  Even if it does seem like yesterday when I heard that Beatles song and thought, ‘When I’m 64?  That’s a lifetime away.’

And I believe in people.  At this moment, I can honestly say, I love you all.   

To my first wife, Maggie: our marriage didn’t last but you are a true friend.  Thank you.  You were more than I deserved.

To my second wife, Anita:  thank you for many happy years and for being an amazing mother to Matthew.   

To my third and final wife, Sally: thank you for choosing me.  And for never calling me old.  You have no idea how much I love you.  Mainly because I never told you.  Well, I’m telling you now.  Or at least Barry is.  I love you.  And for the last time, I AM always right.  So don’t get your hopes up for Spurs this season.

To my son Matt: I am incredibly proud of you.  Thank goodness you take after your mum.  Be happy.  I love you.

To my daughter-in-law Carolyn:  you’re far too good for Matt but don’t tell him I told you.  And thank you both for giving me two gorgeous grandchildren. 

To my mates:  thank you for never growing up and for making me laugh.  Especially you Eddie: I forgive you for all those practical jokes.  Remember that embarrassing secret you told me last year?  I never told anyone.

To my golfing mates: we had a lot of fun!  Well as much fun as you can have with a stupid stick and a little white ball.  Remember me at the 19th.  You all bloody owe me a drink!   

To my posh mates:  you know who you are – no, not you Len.  Thank you for putting up with my naff taste in wine.  I never did learn to tell the difference between Plonk de Maison and Châteauneuf-du-Pape.  It’s all bollocks as far as I’m concerned.

To everyone: thank you for coming here. As Spock used to say, “Live long and prosper.” 

As for me: it’s to infinity and beyond…’

Barry turned to face the curtains and led everyone in a round of applause for Richard.  Before returning to his seat, he touched the coffin to say his own goodbye to his friend.  Daisy and I were beaming with pride. 

A few minutes later we were leaving the chapel to Richard’s favourite song, ‘Paper Plane’.  By Status Quo.

Catch 22 for the disadvantaged

A sad story here, and a sorry end we are likely to see more of. It was a Conservative government that introduced the Social Fund Funeral Payment at a level that ensured that the underprivileged and disadvantaged were not humiliated and marginalised when they had insufficient to pay for a funeral. How times have changed. Public attitudes are becoming increasingly hostile to benefit claimants, so we’ll probably see a lot more of this (extracted from the Oxford Times):

Out of work Michael Walton, 40, lost his brother David, 59, on August 31. But he has not been able to afford to pay the £480 deposit to book a £2,250 funeral with Reeves and Pain funeral directors of Abingdon Road, Oxford.

He has been seeking help from the Department of Work and Pensions (DWP) Social Fund, but will not receive any money until a funeral date is arranged. The funeral directors will not arrange a funeral until a deposit is paid.

A brother and sister from Cowley, aged 51 and 49, with learning difficulties, have found themselves in a similar situation having lost their mother on August 10.

They have been unable to afford the £1,020 deposit needed to arrange the funeral and so far have been unable to obtain funds from the DWP.

Oxford East MP Andrew Smith, a former Secretary of State for Work and Pensions said: “The problem is that the social fund won’t pay until the funeral arrangements are under way and the funeral directors won’t arrange funerals until they have received money. For people on low incomes it is a real Catch 22 situation.

In London’s East End, Quaker Social Action’s Down To Earth project is doing great work to enable people on low/no income to arrange affordable funerals — they go to incredible and creative lengths to achieve this.

If government won’t step in to mend this unhappy situation, and in an age of food banks it looks increasingly unlikely that it will, organisations like QSA, working at the community level, look to have their work cut out for the future. 

Hot and noisy

From time to time we consider the purpose of a funeral as an event which enables mourners to express complex, disorderly emotion. Funerals in  countries untouched by, or resistant to, chilly Nordic Protestant norms of self-restraint are notable for an exuberance which chilly Nords tend to regard as unbefitting, chaotic and emotionally incontinent.

It’s not as if chilly Nords don’t experience emotion. Why do they bottle it up? Perhaps it’s that they don’t like what it does to them. 

Remember the polarisation of reactions to the grief for Diana? 

Consider, also, the tendency of Brits to ugly brutishness when they let their hair down, especially when they’ve a drop taken. Perhaps they are right to keep it bottled. 

In Taiwan and parts of China funerals channel strong erotic emotions. We’ve looked at this before. Here’s some interesting info from Business Insider

Dressed in mini skirts barely covering their hips, the two girls took to the neon-lit stage and moved vigorously to the loud pumping pop music. Their job: to appease the wandering spirits.

As the temple facade in the background changed colour from the fireworks lighting up the Taiwanese night sky, the show climaxed with pole-dancing and striptease in front of an audience consisting of men, women and children.

Folk religion in Taiwan is a unique mixture of the spiritual and the earthly, and one of its most remarkable manifestations is the practice of hiring showgirls to perform at festivals, weddings, and even funerals.

“The groups attract crowds to our events and they perform for the gods and the spirits to seek blessings,” said Chen Chung-hsien, an official at Wu Fu Temple, a Taoist landmark in north Taiwan’s Taoyuan county.

“They have become part of our religion and folk culture.”

[Some] see it as a natural extension of a traditional folk culture lacking in the sharp separation of sex and religion often seen in other parts of the world.

Marc Moskowitz, an anthropologist at the University of South Carolina, said the practice evolved out of the special Chinese concept of “hot and noisy”, which brims with positive connotations.

“In traditional Chinese and contemporary Taiwanese culture this signifies that for an event to be fun or noteworthy it must be full of noise and crowds,”

Full article here. Two videos here

The importance of a good end

Ever heard of the peak-end rule? In the words of Wikipedia:

According to the peak–end rule, we judge our experiences almost entirely on how they were at their peak and how they ended, regardless of valency [duration] (whether pleasant or unpleasant). Other information is not lost, but it is not used. This includes net pleasantness or unpleasantness and how long the experience lasted. 

In one experiment, a subjects were exposed to loud, painful noises. In a second group, subjects were exposed to the same loud, painful noises as the first group, after which were appended somewhat less painful noises. This second group rated the experience of listening to the noises as much less unpleasant than the first group, despite having been subjected to more discomfort than the first group, as they experienced the same initial duration, and then an extended duration of reduced unpleasantness.

It works the same with pleasurable experiences, too. The Artful Blogger supplies a good example: 

This fact of perception seems to be already in the bones of the most well-regarded artists. For example, I once heard a jazz pianist tell a group of students how to craft a solo improvisation. The cheat-sheet? Build to a strong middle, and make a solid ending…the audience won’t remember anything else. I’ve also seen many orchestral conductors add an especially dramatic flourish to their final cut-off, leading the crowd to go wild, regardless of what came before.

It’s one of those things that seems obvious once you’ve got your head around it. But for those who plan funerals and write funeral ceremonies, it’s clearly important to be understand how your the experience of your work will be evaluated in retrospect. 

 

All will be well

I am filming with Bernard Underdown, Gravedigger of the Year, at Deerton Natural Burial Ground. We are standing beside one of Bernard’s freshly-dug graves talking with ever-so over-egged animation about graveyard myths and superstitions. We exhaust the topic, look over to the camera, and the cameraman says, “Lovely. Perfect.  Again, please.” In answer to our mildly miffed expressions he explains, “Car. That car. Sorry.” The noise of a passing car has intruded on the microphone. Bernard and I dig deep into our reserves of flagging spontaneity and reprise. 

On the other side of the burial ground I see five people arrive, then stand and survey the ground and chat contemplatively. It is starting to rain and they put their umbrellas up. 

One of the group detaches herself and comes over to us. It is Wendy Godden-Wood, the owner. Bernard and I come to the end of our re-take. We’re on a continuous loop now, we ready ourselves to start again. The cameraman says “Great. That’ll do.”

Wendy explains that the four people have come to buy plots. They are mooching, looking for the spot they like best, the spot where they’d like to spend eternity. 

People say we’re a death-denying nation. Don’t know about that. 

Crems on wheels

The handsome chariot pictured above is a mobile crematorium. It is reckoned to have been developed for FEMA in case of disaster.

Would it not serve just as well for scattered rural populations in Wales and Scotland? 

Full mobile crem patent here

Rub-a-dub-dub

From a Co-operative Funeralcare press release:

Staff at The Co-operative Funeralcare in Copson Street are holding an open day between 10am to 2pm for residents to find out more about the work of a funeral director.

The horse-drawn hearse and  Only Fools and Horses’ fan hearse will be on display to illustrate how funerals can be tailored to individual needs and can help reflect the life of the deceased. A jazz band and piper will also be present, as other examples of how funerals can be personalised.

Visitors will be offered a guided tour of the funeral home, which features an arranging room and a remembrance room, be able to ask questions and view the distinctive hearses.

This is not the first open day Funeralcare has staged recently. They held one at Crouch End in September with the same format. The words of the press release are mostly interchangeable, showing how such a communication can be personalised. “Visitors will be offered a guided tour of the funeral home, which features an arranging room and a remembrance room.”

 They held one at Stockton, too: “It was a huge success,” said Manager David Knowles. “Around 60 people came throughout the day and were given a guided tour of the funeral home, which features an arranging room and three remembrance rooms.”

 The Good Funeral Guide applauds this spirit of openness. We think it will go a long way towards demonstrating to funeral shoppers that their dead will be beautifully looked after when in the tender care of Co-operative Funeralcare. 

How they do it in Zambia

In a delightful article in the Sunday Times of Zambia titled Food at Funerals in Zambia, which doesn’t actually get around to talking about Zambian funeral food at all, the writer describes current funeral customs in that country. 

In the countryside, the old customs are alive and well: When death occurs, news spreads very fast. It just takes one or two full-blooded women to wail lungs out. Thereafter, people from all walks of life will gather to commiserate with the bereaved, even when the dead person might have been their ‘worst’ enemy – death is death! It is to be feared! It is an equaliser, people unite, and no arguments arise about its inevitability – some call it ‘kukomboka’/knocking off!

In towns and cities, funeral traditions display western influences, though it’s difficult to see what they are. The following is extracted:

Inevitably the web of all known relatives will also be used to communicate the sad news, and before you know it they will converge at the funeral house from all corners of the country.  

The grief-stricken closest relatives – parents and others – sit on the floor, mourning, and sobbing in the living room. As relatives arrive they start mourning with a rising crescendo; some may even roll on the ground in their lamentation. 

Duties, especially in the area of feeding of the mourners, will be given out. Customarily, the kitchen brigade is made up of traditional cousins of the deceased.

As the food is being prepared the brigade members will pass jokes and make a mockery of the deceased family who by an ‘unwritten law’ cannot ‘hit back’ then; they will bide their time until perhaps when a funeral occurs in the ‘attackers’ family. This is not ill-intentioned but the practice has its roots in history when the Ngonis and the Bembas fought pitched battles, with no clear victory for either side. Consequently, the truce that followed sealed an enduring peace to this day.

Now enter the professional mourners! In fact there are three main types of professional mourners: the first type is made up of people with their ears to the ground and are usually the first to learn about any funeral that takes place anywhere. They usually arrive first and kick up a raucous of loud mourning enough to wake up the dead. They then find their way to the place nearest where the food is being cooked. This is the real reason they attend funeral after funeral.

The second type of professional mourners is the story-tellers. They will behave like the first group, except that as they tear at their hair and amid sobs and copious outflows of grief they will tell cooked up stories about the deceased. For example they would say that the deceased was a good person, their late uncle, who had managed to educate most of his nine children, now who was going to look after the remaining three younger ones? Yet in fact there were no children, the marriage having taken place only two weeks ago! When all is said and done, the story-teller makes a beeline for the nearest food spot, consuming big potions so as to catch up with those that started eating earlier than they did.

Then topping the bill are some relatives who will mourn in a special way, punctuating the sobbing with pointed comments about the property: “What shall I do with the Toyota Cressida you have left behind? I don’t know how to drive.”

Another relative might answer: “Mutale will be driving you, my sister.” Or, “The deep freezer… It’s so big. How will I take to my village? No Zesco there!” The answer might be: “Just sell it and we can share the money.”

Such a parody of mourning can go on and on until all the property is shared in this manner or until after the burial when during the ending rituals (Isambwe lya mfwa: kutsiliza maliro) a brave/wise uncle will put a stop to the squabbling. Where there is no wise person all the property will be taken away and later the case will end up in court.

Full story here

Taking a shirt from the Reaper

The funeral yesterday of south London underworld luminary Charlie Richardson. Among the mourners was ‘Mad’ Frankie Fraser. 

The Richardson gang, led by Charlie and his brother Eddie, was noted, in its heyday in the sixties, for its compliance process, which included, according to the Mail,  “torturing enemies at their scrap metal yard by attaching electrodes to their nipples and genitals and delivering electric shocks, having already placed them in baths of water to make the electricity more potent. The gang would frequently carry out mock trials for victims, before administering punishments including whippings, cigarette burning and teeth being pulled out by gang member ‘Mad’ Frankie Fraser. They were then made to clean up their own blood. The brutal method of trial by kangaroo court and subsequent torture was said to be known as ‘taking a shirt from Charlie’, as Richardson would often give victims a clean shirt in which to return home afterwards.” No volt-farce, that. 

The floral arrangement bearing the legend 240 DC refers to the black, handle-driven World War Two army generator which delivered the torturtricity. 

Full story in the Mail here.

Not unchilling interview with Mr Fraser here

No cigar on this occasion for naming the man leading the Roller. 

Parp

This blog tends as a rule towards seemly and proper self-deprecation, but we hope you’ll forgive us if we sound a short, breathy toot on our own trumpet.

There’s a great deal of interest in death these days. Funerals, to be precise. We’ve lost count of the calls we’ve had from TV production companies in particular. Today we even had a call from a well-known field sports magazine. 

We’ve also lost track of what we’ve said to who (okay, whom, Jonathan) and what might have become of it. So it’s been very gratifying to receive thanks from people who have received publicity for what they do following a tip-off from the GFG-Batesville Shard. 

We are aware that our website is becoming fertile research ground, and  our blog is watched by story-hungry newspapers. In the month of September, our website scored 68,850 hits. 

If you are of an opinionated or writerly disposition, our blog is open house to all shades of opinion. Send it in!

If you are a funeral director besieged by calls, we apologise. At least it’s good news stories they’re all after, now.

Latest news on the Good Funeral Awards documentary being made for Sky is that the big cheeses have seen the almost-complete film and like it very, very much. Transmission is scheduled for spring.