Thoughts of a funeralgoer

Posted by Lyra Mollington

There was only one topic of conversation at our book club on Tuesday morning – apart from the book we were discussing, of course! 

Yes, it was the fascinating television documentary from the evening before – although we agreed that the whole thing had to be taken with a pinch of salt.  After all, TV producers need something out-of-the-ordinary (and a few shocks) to attract the viewers.  However, that’s what makes great television and I’m not ashamed to admit that I was glued to my seat for the entire programme. 

 ‘Strictly Kosher’ is an interesting insight into the traditions and customs of the Jewish community in Manchester.  As an outsider, I had the luxury of being able to keep an open-mind, but there must have been many Jewish people shouting at the television as they watched members of their faith appearing foolish or eccentric.  Indeed, I am sure some would rather not be associated with certain attitudes and practices.  Like the vast expense incurred when celebrating Jewish festivals.  For example, purchasing a single citrus fruit for anything from £30 to £500 depending on the quality.  As one man commented, ‘I’d rather buy a new leather jacket!’ 

But the characters and their stories were compelling.  In particular, Jack’s story was incredibly moving.  At the age of only 16, he had experienced first-hand the horrors of the Holocaust.  Now an old man, when he visited the grave of his little brother, who was a victim of the gas chambers at the age of nine, we were weeping with him.  But Jack doesn’t spend his days wallowing in self-pity.  He visits schools and tells his story to youngsters, using his experiences to inform and educate.  Yes, it’s painful to hear about these terrible crimes but we need to know about them to learn from them.

Coincidentally, the novel we were discussing at book club was another inspiring story about ordinary people and their struggles against corruption and depravity.  The Book Thief is written by Markus Zusak.  The narrator of the book is Death himself – a compassionate being who despairs about war and man’s inhumanity to man.  He does not cause anyone’s death; however, he must deal with the consequences.  And he longs for a holiday. 

As we left the library, Valerie asked if I had watched a Channel 4 programme about undertakers – it was on just before ‘Strictly Kosher’.  (Regular readers of this blog may remember that, three weeks ago, I wrote about Valerie’s mother’s funeral.) 

Valerie looked troubled.  ‘Perhaps the Jewish people have got it right – they bury their dead straight away.  No lying around for days or weeks.  The worst thing is, until I watched that wretched programme, I was really happy with mum’s funeral.  The Co-op people were brilliant.  Chris and I even sent a thank-you card to the girl in the funeral home.  She was lovely.  So kind and caring.’

I told Valerie that she could feel proud that she had given her mum the best possible send-off.  I continued by saying that I still couldn’t stop smiling every time I thought about us singing ‘The Happy Wanderer’. 

‘But all I can think about now is that hub!’ she replied. 

She went on to tell me that she had been having visions of her mother’s body travelling back and forth to the funeral home every time someone from the family wanted to spend time with her. 

‘She’ll have been up and down that motorway like a Waitrose delivery lorry!’

I suppressed a smile.

Valerie suddenly laughed. ‘What am I doing to myself?  Mum loved a road trip!  She would be horrified to see me fretting over this.’ 

I kept a straight face and said, ‘Yes, and not many people can say, “We sang The Happy Wanderer at our mum’s funeral!” ’

She called after me as I left, ‘Don’t forget!  Part two of Strictly Kosher is on at 9 this evening.’

Fallout #2

From Broadcast here

Labour MPs have tabled an early day motion following True North’s Dispatches: Undercover Undertaker on Co-operative Funeralcare that aired earlier this week on Channel 4.

The motion stated MPs were “shocked and disgusted” by the Channel 4 doc which showed the funeral care provider stored coffins containing bodies in warehouses on industrial estates.

Sponsored by Labour MP Roger Godsiff and backed by fellow party members Ronnie Campbell and Virendra Sharma, it went on to call for the resignation of those staff responsible.

“This House… believes that a mutual organisation can, and should, have higher ethical standards than a purely profit-orientated company,” the motion said.

Co-operative Funeralcare managing director George Tinning said the footage aired was not “typical” of its business.

“We operate specialised facilities in each area servicing various branches in that area and in those facilities we have mortuaries, coffin storage, garaging and the like.

“Most of them are associated with funeral homes, very few of them are on high streets because it would be totally inappropriate to have mortuaries in every high street,” he said.

“You can rest assured that although this is a side of our business that the public don’t see, that they are amongst the finest in the profession and facilities that we are very proud of.”

Fallout

I expect there will be a number of stories like this. This one’s from this is Gloucestershire and is about Glad Stockdale’s experience of a Midcounties Co-op funeral, which all came back to her when she watched Undercover Undertaker, of which this is Gloucestershire writes:

The programme showed bodies piled up in a warehouse, instead of being kept in a chapel of rest and bungling funeral directors sending the wrong body to a funeral.

Hmph.

The last straw came when the family went to see Mrs Stockdale the day before her funeral. A plastic bag containing the underwear and clothes she had been wearing had been dumped in the coffin. The trolley she had been wheeled in on lay nearby.

After several http://www.cheapambienpriceonline.com complaints, Mid-Counties Co-Op gave them compensation of £500 to pay for a wake and a trip to scatter her ashes.

A Midcounties Co-operative Funeralcare spokesman said: “Midcounties Co-operative Funeralcare, which is not connected to Co-operative Funeralcare as run by the Co-operative Group and referred to in the programme, operates to the highest standards of professional care. Our staff are fully trained and qualified. We are members of the National Association of Funeral Directors and adhere to its exacting standards and code of conduct as a minimum.”

Well, that’s interesting. I could have sworn Midcounties had rebranded under Co-operative Funeralcare. What do you make of this screenshot of their website?

We know best

The funeral industry commissions very few surveys. When it does, they are about what bereaved people are doing, not what bereaved people want. These surveys are almost always self-serving and, if spun well, appeal to lazy journalists. Result: free advertising. This is something the GFG has taken up with broadsheet journalists to no effect.

Why no surveys about what bereaved people want? Why so little market research? Is it because funeral directors aren’t interested in what people want?

Or because they think they know best?

I don’t think there are any easy answers here. Let me throw in just two more observations.  First, a funeral director’s relationship with his/her clients is potentially corrupting of the funeral director. Very. Grief-stricken people are easily bossed about – many develop a version of Stockholm syndrome, a psychological condition where hostages develop gratitude towards, and admiration of, their captors. If a funeral director role-plays it right, their clients can easily mistake manipulation for kindness.

What’s more, the likelihood of any client asking to ‘look under the bonnet’ is negligible, and that’s potentially corrupting, too. Unexamined mortuary practice can lead to de-sensitisation and, from there, to very bad habits.

So we can see why funeral directors are prey to self-importance (the not very bright) or paternalism (the brighter ones). All intelligent, thinking funeral directors acknowledge this – as do the better celebrants, whose power relationship with their clients is similar.

Is there any other service industry in which it is reckoned okay not to tell people certain things? There is a high degree of consensus in the funeral industry that empowering clients to make informed choices has its appointed limits. You have to use your discretion. Did you ask that couple if they would like to come in and wash and dress their dead person? I thought about and decided not to. Aren’t they entitled to consider it? Look, it would only have upset them.

It’s a fair point.

Where does ‘we know best’ begin and end?

We’d know more if the industry conducted more surveys asking people what they want, what they need to know, and is it okay if…? Is it okay if we store your dad with his face uncovered on racking with loads of other dead people? No? Thanks, in that case we won’t. Anybody outside the industry, and a great many in it, wouldn’t need to ask such a dumbass question.

But what about the mouth suture? (If you don’t know what the mouth suture is, it is a way of closing the mouth of a dead person. A gaping jaw can look pretty horrifying.) The mouth suture is standard practice. The funeral directors who don’t do it can be counted on the fingers of one hand. And it’s not the sort of procedure you’d ever, ever want to ask a bereaved person to make an informed decision about in the first flush of grief. (If you need to read a description – be warned, it’s not for the fainthearted – you can one here.

If you were to conduct a survey of, say, a thousand ordinary people and asked them what they think about the mouth suture, the result would be, we can only say, interesting – because we don’t know. And of course it would depend on how you presented the information and asked the question.

But to do it as a matter of routine without permission? Is that really okay? To withhold information like that?

I know so many superb and humane funeral directors who earnestly believe that it’s just something you cannot do, ask permission about the mouth suture, that, frankly, I’m torn. It’s all too easy for a scribbler to adopt a holier-than-thou opinion about this and say If you can’t bear to ask, don’t do it. It’s different when you’re on the ground, doing things for the best.

But once you decide to withhold information, well, it’s potentially a slippery slope you’re on, isn’t it?

And in any case, isn’t there a principle here? 


Ed’s note: It’s been a busy week for the blog, which has seen many new visitors and commenters. You are all welcome. If you have left a comment using a cybermoniker that’s fine, that’s the way of it, and you probably feel you want to keep your personal opinions separate from your professional practice. This blog has always been remarkably free of trolls and vandals and, even when passions were high, recent discourse has more or less respected common courtesy. It’s not often that anything happens in funeralworld, but that Dispatches programme really got bloodboiling. 

Tomorrow is Friday and, as ever, the main event will be Lyra Mollington’s reflections of a funeralgoer. A feeling of business as normal will descend once more, and we hope to return to our ‘magazine’ format, a daily mix of news, opinion, curiosities, music and, if you’re really lucky (we’re not promising anything) something deliciously oblique from Vale. 

An open letter to George Tinning, Managing Director, Co-operative Funeralcare

Dear Mr Tinning

I am writing in the aftermath of Undercover Undertaker to proffer an olive branch. The Good Funeral Guide has attempted to talk to Funeralcare in the past and met with no reply. In the best interests of the bereaved, the cause we both have in common, I want you now to consider opening a channel of communication.

For Funeralcare, the transmission of Undercover Undertaker may, as you know, prove to be a ground zero event. It has shattered trust and confidence in a well-loved institution. It must have taken great courage for your staff come to work yesterday. Goodness knows what some of them endured. We felt for them.

Here at the Good Funeral Guide we subscribe to the ideals and goals of co-operation. Indeed, we recently launched an initiative to encourage communities to establish their own funeral co-operatives: www.CommunityFunerals.org.uk. We also recommend Scotmid, an excellent co-operative funeral service in Edinburgh.

We believe the co-operative model has great potential to be pre-eminent in the funeral market. It is because we believe in the co-operative model so strongly that we have been so unfriendly towards Funeralcare. We think that your organisation lost sight of its original purpose and its foundational values. On a commercial level, we have been dismayed that, though the Funeralcare operation enjoys impressive economies of scale, the fruits of these have never been passed on to consumers – which is the whole point of them. We deplore the culture of pressure selling, just one of the factors which has contributed to the ethical ill health of Funeralcare. We knew that it was only a matter of time before Funeralcare would be found out.

As to the concept of the hub, we make no objection in principle so long as it is appointed and staffed in a way which meets the needs, wishes and expectations of clients. There are other consolidated businesses that run perfectly respectable hubs.

Looking to the future, a cleaned up version of the status quo obviously won’t do. Only a return to core values can restore the good name of Funeralcare and, at the same time, bring out the best in your staff, many of whom, as you are well aware, are superb. The upside of catastrophe is that it breeds opportunity.

We don’t expect you to re-vision Funeralcare on our terms, of course, and we don’t ask you to. We ask just two things. First, we ask you to return to the spirit of the Rochdale Principles. Second, we ask you to consider what Terry Leahy has to say in his excellent new book ‘Management in 10 Words’. He talks about the importance of ‘great and noble objectives’. One of his objectives at Tesco was “to create value for customers to earn their lifetime loyalty”. If you translate this idea to the funeral industry you get: “to create funeral experiences for customers to earn their lifelong gratitude”.

I would like to finish by making you an offer. A great many people visit this website, this blog in particular. Doubtless you will, in the coming weeks and months, wish to get messages out to consumers which will restore their faith in Funeralcare. We should be very happy to publicise these for you.

With all best wishes,

Charles

Readers interested to discover what Terry Leahy’s 10 words are can find them here

Good Funeral Guide offers hope to funeral shoppers in wake of Dispatches Undercover Undertaker.

Channel 4’s Dispatches film Undercover Undertaker (Monday 25 June) has shocked viewers with its undercover revelations at Co-operative Funeralcare, the obvious and most deserving target of such treatment*. 

The production line nature of the ‘hub’ depicted in the programme is the corollary of consolidation and rationalisation in the funeral industry. Its acceptability to consumers has never been tested by market research, but it is a standard feature of consolidated businesses in the industry.  Many Funeralcare customers who now realise their loved one was taken to a hub will be devastated. Bereaved people can in future make sure this does not happen to them. There are plenty of boutique funeral directors who can meet their needs and wishes. 

What the film failed to offer viewers was a balanced survey of the industry as a whole. As a consequence, the good name of all funeral homes stands in jeopardy. This is unfair. Standards of practice in the funeral industry generally mirror those in any other industry. Co-operative Funeralcare offers a typical example of egregious corporate cynicism where the pursuit of profit has betrayed the trust of consumers and the hard work and decency of many of its employees. The majority of funeral homes in the UK are independent businesses ranging from the indifferent to the excellent and which care for their dead on their premises. Wickedness is rare, scandals few. The very best abide by standards which are as startlingly high as Funeralcare’s are low. 

In the UK it is illegal to operate an unlicensed cattery, so it is no surprise that there have been renewed calls for regulation. The codes of conduct and compliance regimes of the two industry bodies, the National Association of Funeral Directors (NAFD)  and the National Society of Allied and Independent Funeral Directors (SAIF), have, justly, been called into question. Co-operative Funeralcare is a member of the NAFD, a body which supports self-regulation. 

However, if the experience of children in care and the elderly in nursing homes is anything to go by, funeral consumers are mistaken if they suppose that licensing funeral directors and subjecting their funeral homes to an independent inspection regime will be a silver bullet. In the USA the professionalisation of funeral directors has driven up prices, while the inspection regime of the Federal Trade Commission has failed to root out malpractice. 

The best hope for funeral shoppers remains vigorous consumer scrutiny. We only buy an average of two funerals in a lifetime, so it’s no surprise we’re not very good at it. Worse, it’s a distress purchase – one we make when our mind is overcast by grief. But even at such a time it is possible to make an informed choice, and there is every incentive to do so. First, we owe it to the person who has died. Second, the experience of a good funeral can be transformative of grief. Third, everyone in Britain can find, within ten miles of their home, a decent, dedicated caring funeral director who will look after them well.

*Co-operative Funeralcare lays claim to ethical standards that set it apart from its commercial rivals, but it conducts itself like any corporate predator. Founded by the people for the people, Funeralcare is in dispute with the GMB union, which it has de-recognised, setting it in clear breach of its founding principles. Created in order to enable working people to buy what they would not otherwise be able to afford, Co-operative Funeralcare enjoys economies of scale which enable it to sell funerals at lower cost than its independent competitors. Funeralcare does not pass these benefits on to funeral shoppers but, instead, charges, on average, several hundred pounds more than most independent businesses [source: http://bit.ly/nCZGJT], rendering it commercially incoherent.

For all those who watched Undercover Undertaker and despaired, the Good Funeral Guide offers the following simple five-point guide to finding a good funeral director.

5 Things to know before you arrange a Funeral

If you saw the recent Dispatches programme on Channel 4 and are concerned about making the right choices when organising a funeral, we hope this information will empower you.

1. Take your time

Unless you have religious reasons for doing otherwise, take your time. If someone dies at home by all means call a funeral director and ask them to collect the body but know that you can have them transferred to another funeral director for a nominal charge before any paperwork is signed and this also applies if the person has already been collected because they died in a nursing home. If the person died in a hospital there may be no rush – they can stay in the mortuary until you’ve chosen a funeral director you’re happy with. If the hospital does not have a mortuary, a nominated funeral director will look after them until you arrange for a transfer. By all means call family and friends to tell them that death has occurred, but don’t feel that you need to tell them the place and time of the funeral in the same call. Unless the coroner is involved you must register the death within 5 days.

2. Ask a friend to help

The chances are you’ve never organised a funeral before. There’s lots to learn, just at a time when you may feel least able to cope, so enlist the help of a friend. Try to choose someone who is level-headed, organised, not afraid to ask questions of you, and the funeral director, and in whom you can confide about any financial constraints.

3. Know your options

The main choices are between burial and cremation – unless your religion prescribes one or the other. Cremation is almost always cheaper. You could can costs to a minimum by having no ceremony and opting for direct cremation, holding a funeral/memorial and/or ash scattering event a few days, weeks or months later at a place and time that’s right for you and the person who died.

4. Know and stick to your budget

Your budget should determine what sort of funeral you choose, not the other way around. Because we want to ‘do them proud’ it’s very easy to overspend. Remember that, ultimately, a good send-off is determined by what you say and do, not what you spend. Ask your friend to help you stick to your budget and think about how people can play their part in the preparations and ceremony. Remember that many funeral directors will ask for all of the 3rd-party fees up front (this could be up to £1000 for cremation in some parts of the country, even more for burial), with the balance to be paid soon after the funeral, so you will need to have the funds available. It’s perfectly OK to ask friends and family to help with the cost, and much more practical than buying flowers which will usually only be seen briefly. Finally, be sure to claim any benefit you might be entitled to.

5. Shop around

The cost of funerals varies hugely. Call and ask for quotes from all your local funeral directors. Evaluate how your request is dealt with and give each one stars out of five. Don’t worry about qualifications. Rather, go and interview three funeral directors and take your friend with you for support and to keep you on track. Consider asking to go behind the scenes so that you can see where the person who has died will stay. Finally, balance cost against quality of service and go with the nicest funeral director you can afford.

Note: this advice applies to those who wish to employ a funeral director. There is no law saying you have to. If you think you would like to care for your own at home, please click the link here

Closing ranks

We’ve got to be careful because we don’t want to be sued and the email we have just received says that “If you are not the intended recipient, any form of reproduction, dissemination, copying, disclosure, modification, distribution and/or publication or any action taken or omitted to be taken in reliance upon this message or its attachments is prohibited and may be unlawful.” It’s probably nonsense, but we know they’re out to get us. 

SAIF has emailed all of its members telling them not to talk to the press and advising them that ‘PR Spokesperson John Weir is working closingly with SAIF National President Arran Brudenell and Executives to ensure that SAIF have a uniformed [sic] stance and response on this matter.’

The NAFD has also emailed its members  advising them to ‘make no comment and refer the enquiry to National Office so we can then redirect the journalist to a member of our public relations team.’

 

Dancing the Macabray

Posted by Vale

In Neil Gaiman’s great children’s book ‘The Graveyard Book,’ Bod, a little boy growing up amongst the dead, dances the ‘Macabray’.

It is Gaiman’s own version of the Danse Macabre where, in this instance, the dead and the living dance together. In the audiobook version every chapter is introduced by this lovely version of the Danse Macabre for banjo and clarinet:

 Rich man, poor man, come away.
Come to dance the Macabray.

Time to work and time to play,
Time to dance the Macabray.

One and all will hears and stay
Come and dance the Macabray.

One to leave and one to stay,
And all to dance the Macabray.

Step and turn, and walk and stay,
Now we dance the Macabray.

Now the Lady on the Grey
Leads us in the Macabray… 

The book can be found here. The audiobook here.

A modern Danse Macabre

Posted by Vale

The tradition for images of the Danse Macabre is of death alongside all of the different classes and stations in society. The message is clear – he is coming for us all.

Here is a more recent version of the old tradition in a series of terrific woodcuts from the artist Hermann-Paul

(1864-1940).

The full series can be found here.