Clothes line

When people bring the clothes to the funeral home that they want their dead person dressed in they rarely bring them in a nice little suitcase or smart receptacle, they mostly bring them in a crumpled carrier bag.

What does this say?

Not so first as he thinks

From Australia’s Herald Sun:

A CANCER victim yesterday became the first person to be buried upright at Australia’s only vertical cemetery.

Allan Heywood lost his battle with cancer last Tuesday and was buried in the unusual, space-saving grave in the new vertical cemetery outside Camperdown in western Victoria.

“It’s nice to be first at something. Everybody wants their little place in history,” the Skipton man said with the hint of a laugh.

“I’ve attended a lot of funerals over the years and I’ve never attended one that I’ve enjoyed … I’m an atheist as well,” he said.

Mr Heywood paid $2750 – about half the cost of a basic conventional burial – to be buried upright in a biodegradable shroud, conveyed to his final resting place on a steel trolley which is angled vertically to lower the body into a tubular grave.

He said the lower cost and that there was no graveside service, headstone, casket or grave marker meant his children wouldn’t face any financial burden and could arrange their own memorial service at the local pub or footy club.

Mr Heywood’s body was lowered feet first into its hole by cemetery officials. When his body has been joined by 39, 999 other bodies, the space-saving cemetery will be grassed over and grazed.

Vertical burial is approved in some Asian countries and also Holland – but I don’t think any have been carried out there.

Fact: The world’s first-ever vertical burial took place in England (or, as they say in the US, England, England). It was one of two last wishes of the delightfully bonkers Major Peter Billiere who died precisely nine months to the day after predicting he would.

His funeral was held on 11 June 1800 at Box Hill in Surrey in a hole reputedly 100 feet deep. Into this, Major Billiere was lowered head first, according to his instructions, and there he will remain, according to his philosophy, until the Day of Judgement when he will be resurrected right way up in a world turned upside down. The headstone reads: “Here lies Major Peter Labilliere, with his head in the ground and his feet in the air.”

Major Peter Labilliere’s headstone

The good major was an early adopter of the celebration of life style of funeral, so his other final wish was that the youngest son and daughter of his landlady should dance on his coffin. Apparently the lass demurred; the lad larged it.

This is all true, by the way. If you don’t believe me, go google.

Dem bones

Here’s one of those ‘only in America’ stories:

The owner of Memory Gardens Cemetery says he did nothing wrong disposing of human remains that were used for medical research. A resident called police after finding the piles of bones out in the open on cemetery property … Parker says he’s sorry if people are hurt, “It tends to get sensationalized because it’s a taboo subject. It’s death. This is the family’s choices to donate the bodies and if they wanted the remains back they certainly could have said so at any time.” Sgt. Ben Renya says there are no charges to file because there is no law on the books which says this is illegal.

Full story + video here. Hat-tip to Funeral Consumers Alliance for this — a beautiful body which, if you don’t know it, you need to set aside an hour or two to check out.

Promession and cryomation go head-to-head at the ICCM

The prospect of Promession, the brainchild of Susanne Wiighe-Masak, has been around for a few years now. It offers an extremely attractive alternative to cremation. It is clean. It is gentle. Above all, it enables us to return to the earth in an environmentally useful way. If you want to remind yourself how it works, go here.

The method of preparing a body for disposal by freeze drying it was invented in the US by Philip Backman. He patented it in 1978, and that patent has now expired. Backman’s proposed method of reducing the body to particles left a little to be desired (I have emphasised the key passage in bold):

“A further step entails subjecting the intact, frozen body to fractionalizing means reducing same to a particulate state. This step may be termed surface enhancement i.e., an increase in surface area of the remains is provided. Existing mechanical means such as that used in the reduction of organic or inorganic substances may be utilized in this step. By way of example, a hammer mill may be utilized.”

Promessa’s breakthrough was to develop a process whereby the body can be reduced to particles by means not of  hammer mill but vibration.

At the end of last year or the beginning of this (I can’t remember) I cast doubt on whether Promessa had, actually, managed to perfect this most important stage of the process. This earned me a letter from Promessa’s lawyers. I withdrew the blog post and stood back.

Yesterday I was able to go and hear Susanne Wiighe-Masak speak at the Institute of Cemetery and Crematorium Management (ICCM) annual conference. For this I am indebted to the kindness of Julie Dunk, Technical Services and Events Manager at the ICCM. It was my chance to apologise to Susanne in person, and also to listen also to the presentation by Richard Maclean, Business Development Director of Cryomation Ltd, a UK firm which has developed its own, rival freeze-drying technology.

Susanne spoke with a passion born of idealism and showed us a short film describing the promession process. Richard Maclean spoke with the detachment of a technocrat. He outlined the development history of the Cryomation process and described briefly how it reduces the body to a ‘safe and sterile powder’ using heat and compression. He told us that Cryomation Ltd had tried to reduce a frozen body to particles by means of vibration but had failed.

Both processes have attracted interest in countries around the world. Each developer will bring their Promator and Cryomator, respectively, to market imminently.

Better dead than alive

Going through my stats, researching for a blog post, I saw that someone had clicked through a link I did not recognise. So I clicked through myself and found this wonderful account of embalming excellence at Harlem-based Owens Funeral Home “where beauty softens grief” . I used it in a blog post so long ago I’d forgotten. If you didn’t see it way back then, enjoy it now. If you recall it, I’m sure you’ll enjoy it again. The quality’s good enough to go full screen.

What a wonderful selling point this funeral home has: “I’m the guy who puts the smile on your face. Other places you just look dead.”

On a related theme, I’ve just stumbled on another article describing cosmetic treatments for the dead. While a certain amount of beautification goes on in UK funeral homes (it reflects well on an undertaker’s standards of care), we do not have over here the ritual (ordeal if you like) of the open casket visitation. So while, when thinking forward to our own funeral, we customarily conclude with the reflection that we won’t be there, Americans don’t. Because they will. And, of course, they want to look good and they’re bound to worry that they mightn’t. “People used to say, just throw me in a pine box and bury me in the back yard,” says Mark Duffey, president and CEO of Everest Funeral, a national funeral planning and concierge service. “But that’s all changing. Now people want to be remembered. A funeral is their last major event and they want to look good for it. I’ve even had people say, ‘I want you to get rid of my wrinkles and make me look younger’.”

“I’ve had people mention that they want their breasts to look perky when they’re dead,” says David Temrowski, funeral director of Temrowski & Sons Funeral Home in Warren, Mich. “Or they’ll say, ‘Can you get these wrinkles out?’ It’s all in humor, but I think people do think [more] about what they’re going to look like when they’re dead and lying in a casket.”

“My brother’s a plastic surgeon and I joke with him all the time that funeral directors were doing Botox long before any doctor thought of using it,” says John Vigliante, owner and manager of the Branch Funeral Home in Smithtown, N.Y. “Or at least we use a material that’s similar. We‘ll inject tissue fillers into the lips, the nose, the cheeks, above the eyebrows, the chin, and the hands. It’s the same concept as Botox and dermal filler.” … Lips are plumped, cheeks are filled and contoured, and hollowed hands are injected with filler to give them what Vigliante calls “a nice fuller appearance.”

Read the full article at newsvine.com here.

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The difference between you and it

Jonathan Taylor, the mercurial genius who from time to time gilds this dull little blog with his inspired intelligence, glorious whimsy and beauty of spirit, once observed that the time between death and the funeral gives people the time to get the heads around the difference between ‘you and it’ – between a living person and a dead thing from which the spirit (if any) has flown.

For many professionals working at the interface between life and death, ‘it-ness’ can happen pretty fast. “That’s not a person, it’s a thing.” There’s nothing necessarily wrong with that – so long as it isn’t attended by a coarsening of the emotions which manifests as cruelty or carelessness.

It can happen. This is from yesterday’s Birmingham Post.

Birmingham’s largest hospital trust has launched an investigation into its private porter services after dead bodies were left for hours on wards.

Lung patient Sarah Stevenson, from Small Heath, described in March the “horrendous stench” she was forced to endure on Ward 9 at Heartlands after three patients died on the same day and they were not removed for hours.

Whistleblower David Whitsey, a porter at the hospital for nine years … claimed lack of training led to the body of patient Dora Parker, aged 81, from Kitts Green, being dropped while lifted on to a trolley shortly after she died in 2003, causing a gash on her head to the shock of daughter-in-law Patricia Parker.

Read the whole sorry story here. (Hat-tip to Tony Piper for this)

Rite and trite

There’s an interesting article in yesterday’s Guardian about funeral rites in the Church of England Book of Common Prayer (BCP). Here are some tasters:

Life expectancy in Tudor England was mid thirties, and about a third of children died before attaining the age of ten. Mortality was very much in the air and on the streets, what the Book of Common Prayer described as “divers diseases and sundry kinds of death.” … Before modern times the unjust and random nature of fate was inescapable. Death was no stranger, and contemplating your end was not an exercise for a retreat, but the inevitable consequence, half the time, of going out in the streets. In the midst of life you were in death … Death’s carriage delivered us, in the end, to the public crematorium of the 1970’s, with its Terylene curtains, cheesy music, elaborate floral tributes, and shuffling, embarrassed mourners. Death still comes to us all, but now as a sanitised stranger.

Most interesting, though, are some of the comments left by readers. Here’s a sample:

This summer I visited the convent chapel in the aragonese castle on Ischia.
What I thought at first to be toilets, were in fact the penultimate resting places of deceased nuns, whose corpses were seated on these bowls as corruption removed the flesh slowly from the bones and the fluids drained away. To be constantly reminded of their mortality, the other nuns would visit this apalling spectacle daily, many of them sickening and dying themselves as a result of the germ-laden atmosphere.

Give me sanitation and terylene curtains any day.

Existences of null consequence seems to be the modus operandi of modernity. Organs in bodily transition – no future / no past a linear journey from birth to death with no stops and seeming little point.

This seems to that ino our “yoof” obssessed culture we journey into invisibility and then pass away pointlessly. The links to the past and the future give us meaning in the present.

I’m fascinated how you could write a fairly extended piece on the BCP Funeral Service without mentioning the Funeral Sentences ?.

So I will.

Man that is born of a woman hath but a short time to live, and is full of misery. He cometh up, and is cut down, like a flower; he fleeth as it were a shadow, and never continueth in one stay.

What language. If I don’t have these words said at my funeral, I shall return to haunt CiF [Comment is Free]  belief !

Read the entire piece here.

Teen Undertaker

The media loves death and funerals — wacky music, funky coffins, all that sort of stuff. Best of all, the media loves to find people working in the funeral industry who do not conform to the common conception of deathworker as  inhabitant of a dark and terrifying otherworld. Normal people; people like us. Better still, people who are young. Best of the best, beautiful young women.

If the effect is to educate the public about the reality of funeral service, all well and good. Last week’s Channel 4 programme, Teen Undertaker, served this purpose pretty well, I believe. It follows two teen undertakers, Laura and Paul. It panders, yes, but it also reveals responsibly.

There’s one bit that made my eyebrows rise. I wonder if yours will, too.

Catch it on 4 oD here.

Tahara

In his excellent book Curtains, Tom Jokinen quotes US undertaker BT Hathaway on the subject of home funerals. Hathaway reckons a home funeral suits “the 5 per cent who have money, time, resources, education and political and emotional will.” With preconditions like these, how come it ever got as high as 5 per cent? Hathaway concludes: “It’s poetic, but the truth is, I don’t know that many poetic families.”

Poetic? I’m not sure about this elegant disparagement. Jokinen draws his own wrong conclusion: “This is of course the same argument for why people eat at Pizza Hut instead of milling their own wheat and breeding their own pepperoni cattle.” Here we have an overstatement. You don’t have to grow a tree to make the coffin, neither do you have to plant your own jute to make the lining.

But convenience is a seductive thing. And time is of the essence. A dead body is potentially a chaotic, eruptively ugly thing; it makes a lot of sense to call the experts in and keep a safe distance. And we reflect here that, when people die, those who loved them urgently want the body back from wherever in the world it conked out. They want this with a fervour which arguably defies reason. This may be not so pronounced in the UK, where dead soldiers were buried where they fell as late as the Falklands war. But in the US the historic clamour to have the body returned led to a stream of dug-up coffins coming back, once hostilities were over, from the battlefields of the first and second world wars.

So: distance matters. The body must come home. Propinquity is good. But closing the distance and engaging with that body? NO!  At the last, we need our cordon sanitaire, cowards that we are. Here we record the loss of the lesson of the teachings of all the great religions that the dead body should be treated as an object of veneration.

At the end of his book Jokinen begins to reap the harvest of his experiences as an undertaker’s understrapper. Here’s what he says:

“Instead of deflecting a confrontation with death through commerce, you face it, fill the hole by hand, and then get on with the hard work of mourning, knowing that instead of passively choosing an object from a catalogue and subcontracting the ritual to someone else, you’ve acted, taken a stand, not against dirt, in fact, but in favour of it. An act with a meaning.”

Later the same day he meets his wife for supper. “I have seen the future,” I tell her. “And it’s Jewish.”

In other words, he finds the middle ground between doing it all (the home funeral) and doing nothing: giving in to “the impulse to fix grief through shopping.”

A lot of religious law has to do with physical and emotional health. Much law relating to diet has been rendered obsolete by simple advances in hygiene. Leviticus is for that reason looking decidedly old hat these days, and pigs unfairly deprecated. But a number of Jewish practices, however ritualised, retain their (thank you, Mr Hathaway) poetic value because they promote healthy grieving.

Sitting shiva, for example. Taking yourself out of the loop, telling your employer to get stuffed and staying at home for either seven or three days after the burial. Time exclusively spent getting your head around it but, importantly, time which is bounded. Got to be good.

And then there’s the work of the chevra kadisha, the little community team that performs the tahara – the ritual preparation of Jews for burial. This involves the right prayers, of course, and also the washing and dressing of the body with immense respect, concluding with an apology to it should anything done have offended it.

I’m not making a pitch here for the return of the splendid and formidable laying-out woman. All I would observe is that, if a dead body is held precious, then it makes good emotional sense to play a part, under the eye of experts, in getting it ready for burial.

There’s a very good little video film which talks about the work of the chevra kadisha and shows the tahara performed in a funeral director’s mortuary. I’d embed it if I had the skills. If you want to skip straight to the tahara, start 6 ½ minutes in.

Click here.

Rebranding the Dismal Trade

Funeral directors know that they are viewed with suspicion, aversion, distrust. It’s what they do that lies at the root of this – the dark art of dealing with dead bodies. Yuk.

How different they are from us. We don’t like people who are different from us. But most people express their feelings about funeral directors not in terms of their differentness (though a funeral director in a pub may well elicit a snigger), but of their avarice. They are skilled, too, it is supposed, in the dark art of exploiting people ‘at a difficult time’, filching fistfuls of the folding stuff from their sobbing wallets, the velveteen-voiced bastards.

Whenever people say to me they reckon funerals are too expensive, I ask, “What else could you get for that?” and leave a long silence. After we have listed some pretty untantalising consumer items that you can pick up for between £2500—3000, I ask what they reckon would be a fair price. Not having thought it through, they um a lot. “Fifty quid?” I prompt. “A tenner?” They search for a respectful figure. Hard to find one. It’s not easy to benchmark funeral costs. There’s nothing comparable. And before you say it, no, not weddings. Chalk and cheese.

All funeral directors are not so regarded. Where they are known in their community they are evaluated according to their personal qualities. In urban areas, where sense of community is seldom strong except among gang members, most people do not know their neighbourhood undertaker. In rural areas the undertaker is part of everybody’s daily lives. In the Somerset village of Henstridge, Donald Hinks and his daughters Lavinia and Mandy of Peter Jackson Funeral Services are known by everyone. They are much loved because they are incredibly nice people. And when Lavinia picks up her children from school, there’s scarcely another child whose nan or uncle or whoever has not been cared for in death by Lavinia and her family – and the kids know it. They must have a different attitude to death as a result. Much healthier, more accepting.

Some funeral directors work hard to enhance public perception of what they do. They give talks, hold open days, sponsor a youth football team or, more likely, a bowls match where they may be sure of a demographic receptive to the lure of a pay-now-die-later funeral plan. I am not sure that this goes to the heart of the perception problem.

Over at Pat McNally’s blog there is an account of a good Irish funeral by the brother of the man who had died. Much better than an English funeral, he reckons. Why so? Because “in England our funerals have become sanitised – snatched from families and communities by undertakers who no doubt check their profit margins on Excel spreadsheets.”

There you go. The perception thing. And I can hear every funeral director who reads this blog thinking, How unfair!

Over in the US, where funeral scandals tend to be egregious, unlike in the UK where they tend to be wretched, James Patton, a funeral director, blames the media: “It seems like each day, over the past year, the media has been on the attack against the funeral industry. It is as if we have returned to the days of Jessica Mitford.”

I have a feeling that Tom Jokinen gets closer to the heart of the problem. The funeral director he is working for tells him: “We live in a caste system, where the Brahmins subcontract their problems to the unclean, the Dalit caste, the corpsehandlers.” In other words, what you do is what you are. Untouchable.

I was reflecting on this the other day, up at t’crem, waiting for the hearse. For all my exposure to death I am not reconciled with it, I hate it. And I could never be a corpsehandler. I speak for the vast majority of humankind. But because of my exposure to death, I deeply respect those who do it, and do it well.

It’s the perception of everyone else that needs attention. But how is that done?