Bring on the best

The US version of the NAFD is the NFDA. The NFDA has a Pursuit of Excellence Program. Here’s what they say about it: 

Pursuit of Excellence is the premiere recognition program for funeral service, setting standards of excellence that motivate funeral home staff, inspire innovation and sustain consumer confidence in the funeral profession.

NFDA’s Pursuit of Excellence program recognizes funeral homes that are committed to providing outstanding service to the families and communities they order cialis 20mg serve and are dedicated to achieving the highest professional and ethical standards.

Pursuit of Excellence encourages funeral homes to further the educational and professional development of their staffs, create innovative ideas to better serve families and the community, and consistently strive for excellence.

Flexible and affordable application process makes international recognition possible for any size firm.

Presumably our own NAFD has considered such a scheme. If it hasn’t, it might do well to. 

Looking out for your own

Bradford undertaker David Birch, who died last weekend aged 74, will be borne into church by six undertakers at his funeral tomorrow. 

It’s a touching tribute to a man who was described as a ‘perfectionist’. The Bradford Telegraph and Argus adds: 

Although Mr Birch had retired in his sixties, he never let go of the business that celebrated its centenary in 2003 and was started by his grandfather Herbert Henry. “He kept a watchful eye over everything. He couldn’t let go. It had been his life forever,” said Mrs Birch.

 

 

The eleventh commandment is ‘don’t get caught’

Posted by Richard Rawlinson

What a time it’s been for the funeral industry on the tellybox. Apologies made and inquiries launched by Co-operative Funeralcare after Channel 4’s Dispatches: Undercover Undertakers. Ditto by Funeral Services Partnership-owned Gillman Funeral Service after ITV’s Exposure: The British Way of Death.

These spy camera investigations of sneaky sales practices and disrespect for corpses were partly balanced by a more positive representation of the industry in BBC2’s Dead Good Job, which included an insight into the fast-paced work of a Muslim undertakers.

And we still have to look forward to a documentary for Sky, which will feature the recent Good Funeral Guide Awards at the Joy of Death festival, not to mention our very own Charles Cowling who has collaborated tirelessly with the show’s makers, Sharp Jack Media.

I’ve recently posted a couple of fluffy blogs about funereal fashion and the ubiquity of skulls on everything from cushion covers to cufflinks. This trend, coupled with all the media attention, leads to the question, is there something deathly in the air at the moment?

It’s probable that, while the industry seems to insiders to be in the media spotlight, the public-at-large will be less pre-occupied by the exposés. They no doubt have enough concerns about their own work, bank balances and home lives. Besides, even prime-time documentaries receive only moderate viewing figures in this age of multi-channels and internet distractions. And this week’s Exposure arguably trumps last week’s as an attention-grabber: the reputation of the late oddball national treasure Jimmy Savile is destroyed by revelations he sexually abused under-age girls. His not-so-old grave in Scarborough is now under police guard.

The trouble with our oft-brutal modern age is many people become almost numb to disgraceful behaviour all around, from the top to the bottom of society. Today’s equivalent of Yes, Prime Minister is The Thick Of It, a compulsively ghastly comedy exposing the corruption of contemporary government ‘public service’ which makes charming the gentle spoofing of the ineptitude of yesteryear.

However, the rash of forever-Google-able media attention will no doubt mean funeral service anecdotes will be spreading by word-of-mouth during ‘did-you-see…?’ pub chats, and words such as ‘hub’, ‘leakage’ and ‘hygiene treatments’ will be a bit more familiar.

When another institution close to my heart got a justified slamming for totally mishandling cases of sexual deviance in its midst, I believe the shaming had a positive, humbling effect. I’m optimistic that complacent managers at undertakers—big and small—will have also learned lessons from the recent exposés, and standards will now improve. The eleventh commandment of ‘don’t get caught’ is a terribly jaded and cynical approach to life.

But I’ll close with an observation that the National Association of Funeral Directors’ Code of Practice for members focuses on the rights of funeral consumers, or the living rather than the dead. It says nothing about how to store the dead, or how to conduct oneself while preparing a body. It says nothing about racist or sexist gallows humour directed towards corpses, as caught on the documentaries’ cameras.

The code reveals, however, that NAFD is not naive of human flaws, the desire of businesspeople to maximise profits, sometimes by deceiving clients made vulnerable by bereavement or lack of savvy. It says, for example, funeral directors should “have readily-available price lists covering the basic funeral and all other types of coffins, caskets and services provided”.

It even demands FDs
 “refrain from soliciting funeral orders or offering or giving any reward for recommendation to persons or organisations such as health service establishments, nursing homes or coroners’ offices, etc.”

It wouldn’t have included these codes, had it not been aware of such dodgy practices. Both codes are clearly breached by members. I don’t blame NAFD for not including explicit clauses about backroom practices though. The media corporation for which I work gives new employees a fat staff manual which goes into great detail about workplace ethics, including everything from racist, sexist and homophobic bullying to hanky panky on premises. I’m glad to say I’m surrounded by educated colleagues who behave decently without even having to study the small print guidelines.

Undertakers, whether big enough to have HR departments or not, should be able to regulate their staff without making a public declaration about it. Modern life doesn’t have to be rubbish.

Dead Good Culture?

Posted by Simon Smith

What is affecting practices in the funeral industry and how can we improve them?

There has been a deluge of bad publicity for the funeral industry in recent weeks with the two programmes, Dispatches on Channel 4 and Exposure on ITV1. This was at least partly offset by the positive view of funeral directing portrayed in Dead Good Job, but we all cringe to see such awful behaviour and business practices and it is a great shame that the caring and diligent work done by so many is swept aside so easily by things that are wrong within our industry.

It is true that the bad practices were largely exposed in big companies, where the pressures on staff are often greatest to maximise profits and run ‘efficiently’, and where management is further from the daily work being undertaken, but there are lessons that can be learned throughout the sector.

There has been a great deal of sniping and blame within our industry, with funeral staff across the country pointing the finger and being “outraged” and “disgusted” by the behaviour of the staff who were filmed.  And no doubt they have been blamed and dealt with by the companies who employed them, who have been quick to claim these are isolated cases, presumably therefore rendering the management blameless.

I think we need to look at this more constructively and within a broader context. The big companies with outside shareholders and those with external investors such as venture capital companies put tremendous pressure on managers to squeeze the profits, because that is the only thing the investors are interested in. They have no idea what daily work is like and for them the investment is no more than a commodity to be traded in order to yield the highest possible return. Managers get ahead by running the most profitable units and staff, who may want to give families a more caring and time consuming service, fear for their jobs. Those people undertaking too many funerals every week inevitably become de-sensitised and hardened to their work, depersonalise it and protect themselves against the fact of facing your mortality each day, which is an uncomfortable reality of working in funerals. Most are poorly paid and given insufficient support to cope with the pressures and challenges they face. If you are not meeting the families and learning about the person who inhabited the body you are handling, your compassion isn’t being aroused by anything. If you are stressed and under pressure your compassion is supressed.I have worked in corporate culture change, and I have seen how quickly people leave their individual values at the door and take on the corporate ones. I have also worked in venture capital and I know the pressures these investment companies put on the companies to perform financially. The former business owners, who still own a chunk of the shares, stand to lose everything if they don’t meet their targets. They often wish they had remained independent and in charge of their own destinies.

The problems that have been recently highlighted by the TV programmes are systemic and driven by the company culture. Culture is the sum of the beliefs and values of the organisation, which then are translated into systems and behaviour. The beliefs and actions of the top management are followed all the way through the system. When what a manager says is not matched by their actions, staff know this immediately. When we call the company caring and then try and sell the families things they don’t really want, or deny them things that they do want because they aren’t profitable enough, staff feel betrayed. I believe that funeral directing is best suited to small companies because it keeps the work with families close to those making management decisions. At our small funeral directing company we each do everything. So when I am preparing a body, I know the people who love that person, I have heard stories about them. It makes it easy to care and to want to do the job as well as possible. The bigger companies somehow need to keep that ethos.

So in larger companies the management needs to work very hard to foster a genuine caring, compassionate and value-led culture. They need to have a zero tolerance policy not only on the kind of behaviour the programmes have highlighted, but also on the kind of pressure that encourages that behaviour and managers not walking their talk. Managers cannot point at the people below them and say it is their fault. Managers need to walk the floor, get involved in the work and lead by example. This is not just about knowledge and skills, but about attitudes. They need training to develop their own skills and attitudes, thereby passing those onto others. Funeral directing is a very complex and emotionally taxing job, requiring tender skills and an open heart. We are there to help families to create a funeral experience in which they can be involved and which has meaning for them, to provide information and support each family with creativity and improvisation. Each company has to develop a culture that supports these aims, and the systems that support the daily work.

Green Fuse and Chester Pearce Associates have created the Modern Funeral Directing training as a counter culture to the prescriptive style of training and education usually found in this sector. It advocates that attitudes and values are as important as knowledge and skills. It encourages people to think for themselves and to feel valued in their work. Funeral directors in charge of busy funeral homes and branches should consider this type of training and the importance of creating the right culture and attitudes in their companies. It is one way we can change things and avoid a repeat of the kind of behaviour we have seen. The funeral staff are the tip of the iceberg. The underlying problem is much deeper and must be tackled. Just launching an investigation and blaming individuals who have behaved badly is missing the point. Culture is subtle, it is translated into systems and behaviour without fail. What is the culture, the real culture not the nice words in the brochure, of your company? To find that out you need to study your company, what people say and what they do, very carefully.

Simon Smith is a director of Green Fuse Funerals, an independent funeral director and provider of training for Funeral Celebrants and Funeral Directors. Green Fuse was recently jointly awarded Funeral Director Of The Year 2012 by the Good Funeral Guide. He is author of Inner Leadership, and co-author of We Need To Talk About The Funeral. Previous to his funeral career Simon worked in venture capital with Charterhouse and then in leadership development and culture change, working with organisations including AstraZeneca, Parcelforce and parts of the NHS. He holds the Foundation Degree In Funeral Services from Bath University. Green Fuse runs a professional Funeral Celebrant Training and the ground breaking programme Modern Funeral Directing.

For more information visit www.greenfuse.co.uk  or call us on  01803 840779.

Is it fair to portray our funeral industry in this way?

“That Funeral Director on your local High Street that looks like a trustworthy and caring family run business probably isn’t…this is an unregulated world in desperate need of reform.”

Fair comment?

You can read the ITV news http://www.honeytraveler.com/buy-propecia/account of the programme here

All responses welcome — we practise no censorship here. Please do not make a statement that might be libellous; the GFG will be sued for publishing it. 

Rum do in the valleys

A burglar is engaged in his work of ransacking a chapel wherein lies a dead person awaiting their funeral. He is disturbed, mid-rampage, by the arrival of the undertaker coming to get everything ready for the service. The burglar, panicked, attempts to climb into the coffin…

What happens next? Read the unlikely, unsavoury and true story over at Wales Online

Know your foe

Overheard at the Joy of Death convention: “I wish all these conventional funeral directors weren’t here, I think this event should only be for progressives.” My heart sank. We don’t need another postcode gang in Funeralworld. It’s beginning to feel like Peckham.

Name-calling, in-fighting, backstabbing. Somebody ought to do something about it.

And scapegoating. There are those who are wondering who exactly it was who set ITV onto the scent of Funeral Partners and, specifically, Gillman’s. Fingers have been pointed at the ‘greens’.

We have itched to feature one of these treacherous, alternative green undertakers who unaccountably know better than investigative journalists where to look for plague and pestilence in the industry.

Every time we receive a report of a sighting we set out like eager twitchers to pin down the exotic renegade and put the searing questions:  “How do you know so much? What’s your beef?”

When we get there we find a decent, modest person who meets bereaved people where they are and accompanies them to where they want to go. If anything distinguishes them it is not their militancy but their emotional intelligence. Most anti-climactic of all, they do lots of ‘traditional’ funerals — but don’t think of them that way. Try as you may, the only label you can pin on them is ‘good’

As to this evening’s documentary (ITV1, 10.35), if you’re wondering who the stool pigeons are, don’t. Put yourself in the researchers’ shoes. You want to get an undercover guy into a little independent? “Sorry mate, no jobs here.”

So you target the businesses with staff turnover. 

Low cost is the price of low value

Barnet funeral experts are unsurprised by news that London is the most expensive place in the country to die.

Emma Sargant, Director of Churchills Family Funeral Directors in East Barnet Road said: “I haven’t put my prices up since 2008.”

However, Barry Broad of Brooks Funerals in Church Hill Road said there are options for people. He said: “Funerals are expensive but we specialise in low cost funerals and our customers say that we are about half the price of the bigger funeral directors.”

We suppose that the story is similar throughout Britain. Funeral costs double more or less every ten years, so Ms Sargant has taken a heck of a hit. 

Yes, there’s a recession on. And third-party costs have risen faster than funeral directors’ charges, especially the cost of cremation. But is that the whole story?

The GFG is inclined to encourage funeral directors to audit the value of the funerals they sell — emotional value. Give your clients more time. Work with them to achieve a better end result.

We suspect that people would be prepared to pay more if they got more from the experience. After all, they’re still forking out for weddings. 

You, the good news and Channel 5

We are pleased to pass on to you this appeal from a TV production company making a good-news documentary for Channel 5. We’ve spoken to them at length and like them. If you have created a really special funeral, or are a funeral director or a celebrant who has collaborated, or is currently collaborating, with families to achieve something special, we encourage you to get in touch. 

Planning a personalised funeral? Breaking with convention? 

We’re making a really positive television documentary for Channel 5. We would like to show the diverse range of possibilities for people to take control of their funeral and create ceremonies and memorials that are more personal and reflective of the individual concerned. The documentary aims to explore all the diverse ways this can be done which the wider public may not know about. 

As producers, it has been a real eye opener to learn that the conventional funeral is a Victorian invention and that legally we are much freer to do things differently than we ever realised. We’d love to get this across and to illustrate it we’d like to meet people who are planning a personalised funeral or memorial. We are not prescriptive and open to all new suggestions. We will be filming from mid September to the end of October. 

The tone of the programme will celebrate the diverse range of commemorations that are possible and highlight a more contemporary approach to marking death in a really positive way. We hope the film itself may serve as a good memory and we can make it available to families. In certain circumstances we may be able to contribute towards expenses. 

Back2Back Productions is a Brighton-based documentary production company specialising in high quality factual programming and you can see our work on our website.  

If this sounds interesting please get in touch and feel free to ask us anything at all about the project. anne.mason@back2back.tv or  01273 227700