Utterly impersonal and awfully long

I follow The Hearth of Mopsus blog. I like it very much — the writer’s fastidious prose, his rigorous,  intellectual objectivity on the one hand, his very earnest doubts and self-questioning on the other. He’s written a very good book about holy wells, by the way. Not your bag? Fine by me. Each to his/her own. Much more to the point, I don’t comfortably think that he would like being talked about on this blog, and I’m sorry to do it to him but I’m going to do it anyway. 

In a recent post he describes his father’s funeral. He is a minister himself. 

The worst part was the minister. At least he wasn’t the ‘crem cowboy’ who’d taken my uncle’s funeral, but he was cracking on a bit then and may well not be around himself now. The chap who performed my Dad’s obsequies was a somewhat offhand Ulsterman who preached not on the Bible text that I’d chosen but on The Lord Is My Shepherd which was one of the hymns. The argument was: the Psalm that hymn was based on was written by King David. King David was a great sinner. He found peace and hope in his relationship with the Good Shepherd, and so must we. ‘We must do business with the Good Shepherd’, he said several times, having come up with a line he liked. 

He concludes:

I don’t know, perhaps I do it all wrong – perhaps I should be completely ignoring the deceased and whatever the bereaved might be feeling, and trying to convert people by making them feel bad rather than loved. You may detect a degree of scepticism in my tone. Thank God for Fats Domino or I would have been left thinking I’d prefer a secular funeral. Perhaps I still would.

You can read it all here. Do, please. 

You probably know how he felt. And we reflect that, though funerals need to be done better, because they matter more, than any other ‘life event’ ceremony, they’re not always, whether religious or secular. The occasion doesn’t look after itself, nor do the words, you can’t just arrange your face and rattle them off. That Ulsterman probably thought he did just fine. So, probably, do lots of secular celebrants. But this is a job for extra-ordinary people. 

You may need Fats to cheer you up, too.

Quote of the day

“The music-loving world, temperamentally, seems to divide neatly into two. There are those who spend their idle hours thinking about which songs they would like to have played at their wedding; and those who spend their idle hours thinking about which songs they would like at their funeral …  Planning one’s funeral suits the auteur in me: as the sole honoree of that ceremony, I shall choose what music (and what readings) I jolly well like. I incline to the melancholy yet uplifting: music designed to induce a grave contemplation of my good taste, spiritual heroism and sensitivity. I’d like to pretend that I’m the sort of person who wants their funeral to be “a celebration of life”, but really I want people crying awfully hard.”

Sam Leith here

What Adele teaches us about grief

I first heard Adele’s song at the funeral of a young boy who died by suicide earlier this year. Songs are like that. They can become woven around memories of events that made a strong emotional impact on us. The depth of grief I witnessed among his friends was heartbreaking. One of them who spoke buy cialis tablets australia during the funeral could barely hold himself together. The life he had known was shattered; the future he might have had with his friend had been stolen from him. Grief had wounded him in a way he had possibly never known until that moment.

Read the whole article in the Irish Times here

Psych-Vikings

Here’s some text from Consequence of Sound

Everyone deals with death in their own personal way, but psych-rock outfit Crystal Antlers offers a unique perspective on the topic in their music video for “Dog Days”. In said clip, a group of friends commemorate a dead friend by carrying around his/her ashes in various cups and cookie jars, as if said friend is still “one of the guys.” For a final tribute, they channel the Vikings by setting up a funeral pyre and spreading the friend’s ashes throughout the woods.

The song is called Dog Days. Find Crystal Antlers’ website here.

Remembering Josh

“REMEMBERING JOSH” is a film that records the life of our son Josh, as it was remembered at his funeral early in 2011. Josh Edmonds died in a road accident in while traveling South East Asia in January 2011. He was 22 years old. Our film is both a tribute to him, with many wonderful musical contributions and anecdotes, as well as a reflection on what it has meant to us to organize a fairly ambitious event in such a short space of time. Over 300 people attended, many of who were meeting for the first time having come buy generic cialis from different parts of Josh’s life. We found that organising the funeral ourselves without recourse to a traditional funeral director, was of immense value as we struggled to come to terms with our loss. We’d like to thank all those who helped and supported us, and without whom this event would not have been possible.

Here’s the full film of Josh’s funeral made by his parents, Jimmy and Jane. James Showers characterises a good funeral as “a collision of grief and beauty”.  No one has ever expressed it better. James is the ‘non traditional’ funeral director in this film. 

Things we can’t get enough of…

Breathe Me

Help, I have done it again
I have been here many times before
Hurt myself again today
And, the worst part is there’s no-one else to blame

Be my friend
Hold me, wrap me up
Unfold me
I am small
I’m needy
Warm me up
And breathe me

Ouch I have lost myself again
Lost myself and I am nowhere to be found,
Yeah I think that I might break
I’ve lost myself again and I feel unsafe

Be my friend
Hold me, wrap me up
Unfold me
I am small
I’m needy
Warm me up
And breathe me

Be my friend
Hold me, wrap me up
Unfold me
I am small
I’m needy
Warm me up
And breathe me

The Six Feet Under Convention will be held in Bournemouth 12-14 August 2011. Official website here.

Jesus Gonna Make Up My Dying Bed

Now in the time of dying
I don’t want nobody to moan
All I want my friends to do
Come and fold my dying arms

Whoa Whoa well so I can die easy
Whoa Whoa well so I can die easy
Whoa Whoa well so I can die easy
Jesus gonna make up my dying bed

Meet me Jesus, meet me
Won’t you meet me in the middle of the air
And if these wings should fail me Lord
Won’t you meet me with another pair

Whoa whoa well won’t you meet me Jesus
Whoa whoa well won’t you meet me Jesus
Whoa whoa well won’t you meet me Jesus
Jesus gonna make up my dying bed

I’m goin’ on down to the river
Stick my sword up in the sand
Gonna shout my trouble’s over Lord
I’ve done made it to the Promised Land

Whoa whoa well I’ve done crossed over
Whoa whoa well I’ve done crossed over
Whoa whoa well I’ve done crossed over
Jesus gonna make up my dying bed

Ever since I been acquainted with Jesus
We haven’t been a minute apart
He placed a receiver in my hands
True religion in my heart

Whoa whoa well I can ring up my Jesus
Whoa whoa well I can ring up my Jesus
Whoa whoa well I can ring up Jesus
Jesus gonna make up my dying bed

Goin’ on down to the river
Stick my sword up in the sand
Gonna shout my trouble’s over
I’ve done made it to the Promised Land

Whoa whoa well I’ve done crossed over
Whoa whoa well I’ve done crossed over
Whoa whoa Jesus gonna make up my dying bed

Laughing it off

I’m not supposed to be here (see previous post) but I can’t resist abandoning packing my water wings for a moment in order to give vent to what may or may not be justified crossness.

Funerals have, by many people who ought to know better, been subjected to a reductio ad absurdum: three songs and a piss-up. It’s Grief Bypass therapy, and I’ve capped those words because so many people are peddling it. It seeks to make death manageable by trivialising it — it seems to me.

Given that funerals are about people and loss — people who may have been adored, reviled or anything in between; loss that is vast — you’d think that people would have to be emotionally retarded to fall for it. Joanna Yeates’s parents didn’t. But Co-operative Funeralcare’s marketing people seem to have shown that you can never go wrong by underestimating the taste of the British public. And now the Dying Matters Coalition is joining in.

Dying Matters, funded by taxpayers’ money and charged with getting people to confront end-of-life issues, has already given birth to A Party for Kath. Now it has published a web page titled Alternative Funeral Songs. It regurgitates a survey by the Children’s Society (search me) of favourite funeral songs and lists the top ten alternatives, too boring to relate. It goes on to say:

Here at Dying Matters we have a few suggestions of our own. How about: ‘Bat Out of Hell’, Meatloaf; ‘Another One Bites the Dust’, Queen; ‘Highway to Hell’, AC/DC; ‘Knocking on Heaven’s Door’, Bob Dylan; ‘Reach for the Stars’, S Club 7; and ‘Dancing On Your Grave’, Motorhead.

Have you chosen an off-the-wall track for your funeral? Let Dying Matters know by emailing s.stone@ncpc.org.uk. We will, of course, retain your anonymity unless you tell us you are happy for us to use your name.

Ha ha ha. Haven’t we heard this all before?

I’ve been the celebrant at a funeral which concluded with everyone singing Burn, baby, burn. It was outrageous and very funny. But context was all, and in the circumstances it was sung in a spirit of love, grief and anger. It was as powerful as a dies irae, not played for a larf.

Humour is important. It’s (on occasion) a great channel for pain and misery. It’s deadly serious, not an escape valve for an escapist snigger-urge.

But perhaps I am being too harsh or pious or puritanical. And if I am you’ll be cross enough to tell me so. You may or may not persuade me. But I think I’ll always incline to a treatment of loss more in the spirit of this wonderful tribute to his father by Simon Usborne.

If music be the food of grief

I’m doing a funeral next Monday. I didn’t know one of the songs they want, so I when I got back from seeing them I called up my faithful friend Spotify and played it through to get acquainted. And to get the running time, of course.

As the song began to play, the written words I had worked so hard to assemble shrunk into a feeble huddle. The power of music is great. Even to an unmusical person like me.

Like many celebrants, I can no longer listen to songs that were played at particularly sad funerals.

I reflected on this at the weekend when out motoring with the missus. Her in-car wireless was set to Smooth or R2 or something like that (all the presets on mine are tuned to R4), when Whitney Houston came on singing I Will Always Love You. I gently turned it down for the duration.

The lyric was completely unsuited to the sentiment that the wife of the man who had died wanted to express – a common problem with funeral songs. It didn’t matter at all. All that mattered was that refrain: I will always love you. And it tore at our hearts as we sat and listened. Even mine. How much greater was the effect on those who experience music in the fullness of its power?

And I wondered, as I tried to dismiss the memory of Whitney from my ear, whether this isn’t something people need to think about – that there’s a difference between a song which is cathartic and one which is emotionally inflammatory.

Or is there?

She’s on 29

Have you been following Gail Rubin’s 30 funerals in 30 days? I hope so. If you haven’t,  you can easily catch up. Go over to her site as soon as you’ve read this and take up where you left off.

The cultural differences are intriguing. The preaching at religious funerals in the US is hotter. More friends and family stand up and talk. Photo and video montages are much, much more common — as are tables with photos and memorabilia. And I like the custom of giving people rubber wristbands — over there they’re the new armbands. My overall impression so far is that Americans do it better. Not that we do it well, of course, we’ve got a long way to go.

Today Gail attended the funeral of a young man — he was 24. Among the songs played at his funeral was When I Get Where I’m Going by Brad Paisley. Here’s one for you celebrants (a good day, this, for celebrants). Another was If Die Young by the Band Perry, which even I’ve heard so I guess everyone has. Again, a good one for a funeral like this.

Listen to Brad (I can’t embed him, I’m not allowed). Then go straight over to Gail.