Really getting real

When Americans decide to do things differently, it seems to me, they make a clean break. Brits, on the other hand, carry over a lot of familiar stuff from the past. I mean, how often does a natural burial ground witness a scene like this?

And which has the courage of its environmental convictions and buries at three feet?

Read the story in the Washington Post.

(Beautiful shrouds available from the UK here.)

They think it’s all over…

It’s interesting to note that two of the most important drivers for change in modern funerals have come, not from pro-active consumers or wild-eyed visionaries,  but from urgent if mundane economic and environmental needs. They are, famously, natural burial and’ less famously, the held-over cremation.

Ken West, for all that he is a visionary, made the case for natural burial at Carlisle by adducing United Nations Agenda 21 and, most persuasively, showing his local authority how it could check ever-rising cemetery maintenance costs. There were those who said at the time that natural burial would never work—consumers would spurn it. They should have asked those consumers first. The rest is history. Natural burial has established itself, for those who are environmentally concerned, as the alternative to cremation, and they are unlikely, Ken plausibly argues, to be seduced by green alternatives like resomation, promession or cryomation. Why would they be?

Crematoria want to reduce emissions and operate more efficiently. Because there are lulls (summer’s less busy than winter; Mondays less busy than Fridays), it makes sense when things are quiet to hold bodies over until there are enough of them to make the firing up of the cremator economic. Chilterns crematorium now holds over bodies for up to 72 hours (in practice rarely for more than 48) and, combined with a restructuring of its workforce, is now saving 30% on its fuel cost. The ICCM is keen that all crematoria should follow suit:

It is current practice to pre-heat cremators at the start of each day and cool them down after the last cremation of the day and repeat this process throughout the week. Apart from the excessive use of fossil fuel for daily pre-heating, the risk of emissions of pollutants from the first cremations of each day is increased.

Holding cremations over for a limited period will allow continuity of use with resultant reductions in fuel consumption. Industry codes of practice have attempted to address this situation with the Federation of British Cremation Authorities code stating that the cremation should take place within 24 hours of the funeral service whilst the Institute of Cemetery & Crematorium Management’s Guiding Principles for the Charter for the Bereaved states 72 hours. Despite these codes of practice being in existence very few crematoria hold cremations over for any period. This lack of action by authorities is perpetuating the impact on the environment. Source.

It’s remarkable how commonsensical consumers can be. They need to be handled with care, for sure, but it’s always a mistake to make over-careful assumptions about them. Do they mind having metal hip joints recycled? Not a bit. Until they were asked, the assumption was that they would, and expensive metals were reverently, absurdly disposed of by burial. Do consumers mind if graves are re-used as they are on the Continent, and remaining remains reburied beneath the new burial (the lift-and-deepen method)? Increasingly they don’t.

The holding over of cremations is of high psychological significance. Probably most people at a funeral suppose that, when the curtains glide shut, the coffin straightway lurches into the blazing, fiery furnace—which can give them a funny feeling afterwards if they think about it when they’re eating their sausage roll. The fact that they are not bothered when they find out that, actually, their dead person is still waiting to go in is significant. Let’s take it one step further: If the bereaved do not mind their dead waiting up to 72 hours to be burnt, how much longer would they find tolerable? More research is needed. Even so, 72 hours is three days. It’s plenty.

The holding over of cremations has an even higher ceremonial significance. If incineration does not follow hard on the heels of the funeral ceremony there is no need for the incinerator to occupy the same building as the ceremony space or ‘chapel’. Hardly anyone goes to see their dead person loaded into to the incinerator, anyway. Would mourners mind if that incinerator was a few miles away? Again, more research needed. I’d confidently hazard a guess that they wouldn’t. If that is so, their opinion would render conventional crematoria redundant. Hurrah.

A funeral needs a going-going-gone moment (the committal or some form of farewell) because a funeral is a journey (continuum, if you prefer) ending in the obliteration of the body. At a cremation funeral the ‘gone’ moment is effectively and satisfyingly achieved by the closing of the curtains, for all that this is an illusion. This being so, it is not the act of disposal which people need to tell them that here is The End but the provision of what Tony Piper brilliantly terms a vanishing point.

That vanishing point can be achieved in other ways. Rupert Callender shows us how in this example: “We are doing a home funeral next Wednesday for a family who felt they didn’t know what to do having had two dreadful family services at crems, one of them ruined by the awful ubiquitous sound system, but wanted to honour their dead mum’s wish to be cremated. The answer seemed obvious. We are taking her coffin around to their house at midday, and collecting her at four. We go to the crem alone.” Presumably for these mourners the vanishing point was effectively and satisfyingly provided by the sight of Rupert’s venerable but immaculate Volvo disappearing round a bend in the road. Jonathan Taylor tells the story of a funeral for a local woman to which he appends: “Oh yes, and the cremation – it happened the next day, incidentally.” He doesn’t say what the vanishing point was, but I guess it was something similar.

The possibilities offered by held-over cremation are, well, revolutionary. Crems now need to follow the logic and take things a step further: they need to form clusters and outsource their cremating, preferably to a dedicated plant that cremates around the clock. As for the bereaved, if it’s not the act of disposal that matters but, instead, the provision of an emotionally satisfying vanishing point, what impediment is there to evening funerals and weekend funerals held at venues of all sorts?

It’s not the future we’re talking about here, it’s the present. Funeral consumers are being slow to catch on and funeral directors aren’t exactly falling over themselves to explore the options with their clients. It’s time they did.

There’s nowt so crap as a crem

Over in Lufkin, Texas, a new funeral home has opened. What’s different about it? It offers one of those familiar back-to-the-past initiatives which mark progress in funeral service: it’s owner is making his clients aware that they can have the funeral at home – if they want.

“It used to be that before there were funeral homes, the funerals were held at home,” said Philip Snead, CEO and Funeral Director of Snead Linton Funeral Home. “We’re just going back to the way that people used to do business. We do in-home visitations too, and we’re always mindful of health issues.”

I like it. So much better to hold a funeral on familiar ground than up at t’crem. So much better to hold a funeral on your own terms, in your own way. Best of all, it gives families so much more to do (decorating the venue, bringing the food…), and makes it so much easier for them to  run the show, buy tadalafil australia stand up and speak, do away with professional strangers. You don’t have to have the funeral at home, of course. There are community centres, hotels, cricket pavilions…

So forbidding is a crematorium, so alien, so marginalised, so exclusive of everything but death and deathmongers and the grieving bereaved, it is little wonder that people outsource the terrifying ordeal of running the show to someone they’ve briefed.

Says Mr Snead: “Since we’ve been offering the at-home services, people have responded favorably. The older generation grew up seeing their grandparents brought back to the home instead of being taken to a funeral home.”

How many UK funeral directors explore alternative venues with their clients, I wonder?

We will know, as a society, that we are getting funerals right when every crematorium ‘chapel’ in the country stands roofless, derelict and hooted at by owls. Of one thing we may be certain: there’s nowt so crap as a crem.

One family’s take on the perfect funeral

The following is taken from Ben Heald’s blog and so much speaks for itself that I don’t need to add another word:

Nothing can prepare you for losing close family suddenly; and I don’t want to dwell on the personal loss.  What I’d like to talk about is the learning I’ve taken from the experience of a family working together as a team to plan and carry through a funeral event.

The key intervention came from the funeral director (Andrew Smith in Macclesfield), who we found online in the Good Funeral Guide.  Just over 12 hours after Mum died, my sister Kate & I were in his office and he told us we mustn’t rush things, the funeral was principally for the living not the dead and the more the family got involved the better they’d feel about everything – 3 crucial differences from the approach we’d taken with my father’s funeral 17 years ago.

Mum wasn’t a church goer, and taken together with Andrew’s wise counsel, we quite quickly decided on the format.  Clearly funerals are personal, and there is absolutely no sense of being prescriptive, but this was our take on the perfect funeral:

  • We tried to speak to everyone in Mum’s address book to talk to them personally; even though we knew many of them would already have heard.
  • Before the funeral we spent time together for 3 days as an extended family (of 11) at Mum’s house.
  • The night before the funeral we stayed at the B&B accommodation on the barn complex, so were able to rehearse the night before and morning of the funeral.
  • We held it in a barn in the countryside away from main roads with a lake right outside (in fact traditionally a wedding venue).
  • We dug through all her old photos and had 20 of them scanned and blown up onto A2 boards.
  • We found the old cine films (that had been lost for 30 years) and had them transferred to DVD.
  • Six of Mum’s teenage grandchildren carried the coffin into the barn from the hearse.  To better prepare them we’d taken them all along to see her in the Chapel of Rest two days beforehand.
  • We selected a mixture of sacred and secular readings all read by the family.
  • We asked Mum’s cousin aged 79 to introduce the service and the various hymns/readings.
  • A friend of Mum’s played the piano accompaniment.
  • My son sang Gerald Finzi’s ‘Fear no more the heat of the sun’.
  • My brother Jonny sang a Native American Quechua spiritual.
  • Jonny & I played a duet on the piano – En Bateau from Debussy’s Petite Suite.
  • I delivered the address, which we’d all worked on together with inputs from Mum’s sister Judith.
  • Before the service we played Bach’s Goldberg variations and the coffin came into Rutter’s For the Beauty of the Earth.
  • Mum was actually cremated the following day, but no one attended (we described it when asked as a private cremation); which meant we could immediately start talking to everyone with tea, cake and champagne, surrounded by the gorgeous blown up photos.

As Andrew had advised, by getting involved and because we’d taken our time, the focus was on her life not her death.  The children also told us they felt they now knew her as a person, not just as a grandmother.  And because we’d worked together as an extended team, the bonds between us all have been strengthened.

So my recommendation would be not to specify what you want at your funeral, let the next generation work out together what’s right.  Just as in the business world, you shouldn’t micromanage your teams.

Embalming: a matter not of if but when

Nobody I can think of would dispute the assertion that it’s good for the bereaved to spend time with their dead, contemplating their absence – what I like to call their very present absence.

There is a debate about how dead a person should look. Some people want to spend time with an embalmed, cosmetised body; others reject this with some force, the more so when they find out what embalming entails. In the funeral industry itself there are two camps, the routine embalmers and the default refrigerators. When routine embalmers seek to make embalming a condition of viewing, they often do so from the best possible motives. Many of them rank among the industry’s best and most dedicated funeral directors. But that doesn’t necessarily make them right. At the same time, any holier-than-thou blanket rejection of embalming is going to fail those who would benefit from it. As Maggie Brinklow says, you can only make good decisions on a case-by-case basis. It may be mutilation to those who reject it, but it is not to those who do not. It is certainly not mutilation in the eyes of the best embalmers, whose gentleness confounds any such condemnation.

In an interesting article on AlterNet, Frankie Colman quotes Gary Laderman on the very high value of embalming skills as a professional attribute: “Without this procedure, funeral directors would have had a difficult time claiming that they were part of a professional guild, and therefore justified as the primary mediators between the living and the dead from the moment of death to the final disposition.” It is observable that in the UK, where the whole embalming-casketing-visitation caboodle never took off, the status and prosperity of funeral directors does not ride half as high as it does in the States.

When the funeral reform movement in the States took off in the 60s, with Jesscia Mitford as its most vocal spokesperson, Laderman observes:  “Funeral directors were arguing forcefully against charges that their mediation between the living and the dead translated into social obstruction that barred the stricken from facing death with maturity, realism and honesty.” But, Coleman asks funeral director Shaun Newburn, in what condition does the body need to be? “Newbern believes his clients don’t want any odor or leakage of body fluids during the wake and is concerned that it could happen if the deceased is kept at home.”

It is when funeral directors say things like that that you want to strangle them. It’s the sort of fright-thing some of them say in this country to clients interested in a cardboard coffin: “Oh, no, we can’t have one of those. Your Dad died of cancer, you see, there is likely to be considerable leakage…” leaving a picture in the mind’s eye of Dad falling through the sodden bottom.

Jerrigrace Lyons, the eminent US home funeralist, tackles this business of leakage and odours, and here I learned something I didn’t know about the properties of dry ice – and which you may well not know either: “For three-day wakes we generally use dry ice. It is extremely cold (minus 110 degrees Fahrenheit). We place it under the torso of the body and a small piece on top so it freezes the fluids in the lungs and stomach. We have rarely seen any fluids coming from the mouth or nose because of this. Even when the deceased has purged a little brownish fluid from the mouth (again rare) it has not upset anyone. Families often deal with far more fluids and other matter released from the body when their loved one is in the dying process.”

For Jerrigrace and her kind it’s the subtle changes that take place in a dead body over days that impart psychological and emotional value and underline the irrevocability of death. Others, though, are grateful for the unchangingness of the stabilised, embalmed body. It’s an effigy, if you like, a devotional object, and this is what they need.

Funeral directors are taught that they are the custodians of the bodies they look after. Actually, they are not: they are agents for the custodians, for the dead belong, by law, to their people. They can become very proprietorial about their role, act as gatekeepers to the body and forbiddingly dissuade people from spending time with their dead if they think they will be upset by what they see. These undertakers need to read the study Viewing the body after bereavement due to a traumatic death: qualitative study in the UK by A Chapple and S Ziegland, published on the BMJ website. Its conclusion is as follows:

Even after a traumatic death, relatives should have the opportunity to view the body, and time to decide which family member, if any, should identify remains. Officials should prepare relatives for what they might see, and explain any legal reasons why the body cannot be touched. Guidelines for professional practice must be sensitive to the needs and preferences of people bereaved by traumatic death. The way that relatives refer to the body can be a strong indication for professionals about whether the person who died retains a social identity for the bereaved.

Test drive it first…

Here’s an intelligent, beautifully written piece from Salon magazine in which the writer describes the consequences of his father’s final request No. 5: “My body is to be placed in a plain pine box. I would like my children to make the box.”

In his last years my father, the writer William Manchester, told me, “When I die, I want you children to build my coffin.” He’d gotten the idea sometime in the ’70s, when a Wesleyan chemistry professor died, and his sons, following a Catalan custom, spent the night before the funeral building his coffin in their basement. My dad explained, “It will give you and your sisters a focus for your grief.”

I nodded and held my tongue. It was pointless to explain what he already knew: My sisters had never done any carpentry, and my own modest skills had diminished since I’d become afflicted by carpal tunnel syndrome.

The writer goes on to recount the story of how the coffin gets made, and concludes:

He would not be buried in it. His instructions stated that following the funeral, he would be cremated. It felt weird to have gone to all that trouble, just to have the coffin burned up a few days later. But its purpose was never practical. My father was a storyteller at heart, and this made a good one. It even had poetic potential: something about all those trees sacrificed to make all his books offering up a few boards for his last story.

Read the whole piece here. I hope you’ll enjoy it as much as I did.

At the top is an unrelated account of DIY coffin making. Make sure you watch both episodes. It’s a very charming story.

Maggie Brinklow on what makes a good funeral

Everyone agrees that choice in funeral arrangements is a good thing. Even the UK’s most Jurassic undertakers are nodding their heads fervently on this one. They’ve come round at last (sort of). It’s the mantra in Funeralland: Personalisation x 3 (I can’t be bothered to type it).

There’s money in it, of course. Because personalisation (x3) can merely = accessorisation (x3). Instead of a bog standard box, why not this lovely one here, look, emblazoned with bluebells and kingfishers and a steam locomotive at 3x the price? There are lots of ways to personalise. We know what they are. They overlook making your own box, a very useful exercise in grief therapy. They overlook picking flowers from your own garden, not even tying them at the stems, and taking them home after, if it was a cremation.

There’s pressure in personalisation. The media love to pick up on wacky funerals, outrageous dress codes, iconoclastic songs. Trad is so last century, so gloomy, so boring.

This exerts an expectation. “So what are we going to do? He loved his veg, especially his leeks, so, er, let’s tell everyone to dress up as a leek??” There’s a tyranny taking hold.

There’s personalisation (x3) and there’s costly and unnecessary distraction (x3).

So it’s really good, this morning, to publish this post (the first of many, I hope) by Maggie Brinklow, a celebrant, member of the Association of Independent Celebrants (AOIC), who is keen to broaden her skills to include body preparation. She hopes shortly to do a course with the distinguished Mark Elliott, one of the best in his field, and I hope she’ll tell us all about that. Maggie says “I am passionate about putting the funeral back in the hands of the family.” She reminds us that trad has legs.

What makes a good funeral?

I’ve just got back home from a funeral.  Nothing unusual in that – I’ve been to so many family funerals that I’ve lost count.  I’ve also acted as a celebrant at quite a few as well, so what made this one any different?  Well, this is the first funeral where I acted as the Funeral Arranger, working on behalf of a small independent company.  It wasn’t anything special, a church service followed by interment in the local cemetery – a hearse and limo, the usual flowers and mourning dress and then back to the house for the ‘do’.

So, why am I writing about it?  Well, it got me thinking.  What makes a good funeral?  Is it the gold coffin with stretch hummers and 300 mourners or, is it the small intimate gathering, the cardboard coffin pulled on a hand bier while the children sing, before being laid to rest at a woodland site?  For me, it’s both and neither of these options – personally I’d like people to take up the alternative ideas, but it’s not my decision.  I offered the family the different venue, transport, coffin etc etc but, in the end, the traditional route was the right one for them.

Like I said, today’s funeral was nothing unusual, but it was what the family wanted, and really, isn’t that what it’s all about?

Burying Jed Kesey

Here’s an extract from an account of the funeral of Ken Kesey:

It was the least maudlin memorial service and funeral I’ve ever been to—his family and community loved him and shared his disinterest in sentimentality. At the burial at his farm his corpse was right there in front of us. People filed by and studied it, and put things in the coffin with him, slipped joints into his pockets.

The grave was next to his son Jed’s. It was not six feet deep. They’d been working on it for three days. It was like looking into a mine shaft. Well, his friends nailed the coffin lid shut, and then they lowered it down. The youngest kids were asked to shovel in the first of the dirt. I happened to be close by, so my turn to help came pretty quickly. I got a shovel full of that good central Oregon agricultural soil and heaved it way down there onto the coffin. It made the deepest boom! I thought about what it must have sounded like from inside.

And here are extracts of an account by Ken Kesey of the funeral of his son Jed, killed in a road accident:

I sincerely hope that I do not—as Richard II worries—`play the wanton with my woes,’ by this display of my family’s private grief and publication of my personal correspondence. I mean only to suggest a path for others wandering in similar pain. We’ve all got a lot of dying ahead of us. We might as well learn how to go about it.

It was the toughest thing any of us has ever had to go through, harder than jail, or my dad’s death, or an OD on STP, yet it also had and always will have a decided glory. Partly, I think, because Jed was such a good kid, very loving and very loved, and the power of his being carried us through a lot of the ache. But there was also the support we got, from friends and family, from teachers and coaches and schoolmates. Without this support I don’t think we would have attempted the kind of funeral we had, or plunged into the activism prompted by the circumstances of the accident.

It’s the funeral that I mainly want to share, because I think you guys and your constituency of readers should know that this homemade ceremony is legally possible. All you need is the land, the determination, and the family.

We built the box ourselves … and Zane and Jed’s friends and frat brothers dug the hole in a nice spot between the chicken house and the pond …You would have been proud, Wendell, especially of the box—clear pine pegged together and trimmed with redwood. The handles of thick hemp rope. And you, Ed, would have appreciated the lining. It was a piece of Tibetan brocade given Mountain Gift by Owsley fifteen years ago, gilt and silver and russet phoenixbird patterns, unfurling in flames. And last month, Bob, Zane was goose hunting in the field across the road and killed a snow goose. I told him be sure to save the down. Susan Butkovitch covered this in white silk for the pillow while Faye and MG and Gretch and Candace stitched and stapled the brocade into the box.

It was a double-pretty day, like winter holding its breath, giving us a break. About 300 people stood around and sung from the little hymnbooks that Diane Kesey had Xeroxed–“Everlasting Arms,” “Sweet Hour of Prayer,” “In the Garden” and so forth. With all my cousins leading the singing and Dale on his fiddle. While we were singing “Blue Eyes Crying in the Rain,” Zane and Kit and the neighbor boys that have grown up with all of us carried the box to the hole.

People filed by and dropped stuff in on Jed. I put in that silver whistle I used to wear with the Hopi cross soldered on it. One of our frat brothers put in a quartz watch guaranteed to keep beeping every fifteen minutes for five years. Faye put in a snapshot of her and I standing with a pitchfork all Grantwoodesque in front of the old bus.

Paul Sawyer read from Leaves of Grass while the boys each hammered in the one nail they had remembered to put in their pockets. The Betas formed a circle and passed the loving cup around (a ritual our fraternity generally uses when a member is leaving the circle to become engaged). (Jed and Zane and I are all members, y’unnerstand, not to mention Hagen) and the boys lowered the box with these ropes George had cut and braided. Zane and I tossed in the first shovelfuls. It sounded like the first thunderclaps of Revelations …

Read a fuller account here.

Quickie Wednesday

Interesting piece from Canada on home funerals in which a ‘death midwife’ (gotta find a better term than that!) acknowledges that funeral directors can, in the right circumstances, do the job as well as her. She’s right, of course. Good funeral directors are not the enemy. Read it

From Pam Vetter’s newsletter, this tragic account of a car crash which killed three generations of a Mennonite family. They were musicians. Hear them sing here.

And now I’m off to spend the day with my friend Teresa Evans.

Pip-pip!

Not just for the skint

Nice home funeral story here:

When Cathleen, a registered nurse, passed away at Hinds Hospice in Fresno, no mortuary was called due to previous planning. The Fresno County Coroner’s Office transported her to their facility and kept her until her funeral Jan. 26.

The morning of her funeral, she was placed in a silk-lined pine casket built by her husband and family friend Roric Russell.

She was wrapped in a quilt, and her husband of 38 years placed her favorite pillow, a Teddy bear and her guitar in the casket. Bob Carlin and Russell then transported her to the North Fork Cementer.

“I just wanted to help Bob out,” Russell said. “I went with him (Bob) to the funeral home and the least expensive casket was $800. I asked if we could build a casket and the mortician told me that no one does that but there is no law against it. I asked Bob if he wanted to build one and he said yes. We bought the wood that day.”

Plans for building the casket were found from an old Mother Earth Magazine article.

The Carlins had been together since they attended high school in New Jersey prior to moving to North Fork.

Bob Carlin said he felt good about building his wife’s casket as it made the process much more personal.

North Fork musician John Kilburn gave Cathleen guitar lessons for 12 years and helped organize a life celebration, held Dec. 13 at North Fork Studio.

“We were able to honor Cathleen while she was still strong. She sang with us and people got to tell her what she meant to them. It was very powerful,” Kilburn said.

I’ve only chosen extracts from the full news story, which you can read here. It stresses how much money all this saved. Sure, it does save money if you do it all yourself, but alongside the emotional value of the experience, that’s a detail.

Two big misconceptions going around at the moment: home funerals are for the skint; funeral pyres are for Hindus. Wrong on both counts. They are for everybody. It’s a choice.