Great myths of Funeralworld

Posted by Richard Rawlinson 

No. 1: The committal is when the curtains of the crematorium’s catafalque close.

 The final committal is when the ashes from a cremated body are buried in an urn, or perhaps ceremoniously scattered to the wind. Or, of course, when the body is buried intact in a coffin, cutting out the crem altogether with its recorded music, ‘in and out’ process, and general lack of spiritual warmth.  

Crematoria, although they have ‘chapels’, are not consecrated churches but more a hybrid of secular theatre and factory. They’re useful and, sometimes, attractive venues for ceremonial respect-paying for the many with no allegiance to a church, but not a substitute for a church for those who belong to one.

But whether theist or atheist, surely any disposal of ashes by crem staff who have no link with the dead person is an unsatisfactory disposal. Crems may work as a venue for a memorial service, and as a process to prepare the body for the final committal, but that’s it.

For Christians, the two-centre ritual is often a farce with the first part in church and second part consisting of a few minutes in a crem, often after a tedious road journey. Everything that needed to be said has been said in the church and the crem service’s extra prayers and hymn can seem like extraneous padding.

But because people confuse the crem with the committal they go along with the two services, and then overlook the final committal of ashes. This is also why some Christians avoid the hassle of two-centre ritual and head, along with their priest, straight to the crem, cutting out the church which may have played a significant part in their family’s spiritual and social life.

A while back, I attended the funeral of Lady Quennell, wife of the late Sir Peter Quennell, founder of History Today magazine (she was the dear friend I had in mind when I posted this link.

Anyway, we waved her off in the hearse outside a central London church as it headed to a crem in the distant suburbs. We then walked round the corner for a boozy restaurant lunch of sad and amused reminiscences, leaving her in the care of the undertakers. It was not abandonment because the final burial of her ashes took place a biblical 40 days later, a pastorally significant end to an initial period of mourning.
 There was no need to hallow a factory process.

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A seamless, faultless funeral

Posted by Sara Elliot

In case you missed it earlier in the week (it was hiding as a comment) — ED

My mother’s funeral should have been a carbon copy of my father’s.  We therefore dispensed with the services of a Funeral Director, having effectively already had the Dress Rehearsal, and knowing exactly what was needed.

Seven years previously I had shown up, at the same churchyard, with £150 in cash for the grave digger.  This time I had £200 on me, to allow for inflation.  When I had asked my siblings about mother’s grave being dug, I was told my younger brother had ‘spoken to Minstead’.

I was on costumes and props this time. Oh, and I was paying for it. Having cared for our Mother at home, for the last eight years, the logistics were handed over to three brothers.

I awoke on the day of my mother’s burial, for some reason announcing firmly that we needed at least three spades!  I determined to go next door and borrow a few spades from our neighbours, so that we could fill in the grave Jamaican style.  I felt that grief and shock were having their effect on my brothers and they needed to be more engaged in the whole process.  I was assured that the grave-diggers would have good spades, and we would surely be able to use them, and I was being a control freak.

Self-willed as always, I insisted on taking my own spade with me in the car boot.  Decided to get to Minstead early, in case there were lots of people having lunch at the Trusty Servant.  Parked at lych gate, and popped in to have a look at my father’s grave, where Mother’s bones were due to cuddle up with his.  Yes, there it was.  There was the rose I had planted, yes, there was the rosemary.  There was his grave.  …..Yes, there was the grave…..WHERE was the ***** HOLE?!  Surely the grave diggers were cutting it a bit fine?

We repaired to the Trusty Servant pub, to await more family who were due at 1pm for a burial at 2pm.  Eventually went back up to Church, to find my middle brother, wearing his Afghan hat and a foxy smile, deep in conversation with the charming, and very anxious Churchwardens.  They could not have been more apologetic, and had contacted the Funeral Director at J & L Sturney in Lyndhurst, who couldn’t understand how it had happened, but had now appeared and was anxious to make amends.  (Er, they hadn’t been engaged in the first place.. eek…)

I produced my spade with a flourish, which at least got a laugh.  Then I found myself consoling the Churchwarden, whom I now knew as Diana, thinking, ‘This is odd, here I am, trying to bury my mother, and yet here I am, comforting and reassuring this nice lady in a fur coat!’ ‘I am So-o-o sorry!’ says Diana.  ‘No, no, dinna fret yerself, everything is perfect, and clearly as it is meant to be’.   I couldn’t understand why SHE was so upset.  Then I got it, and said ‘Ah, if we were a different sort of family, this really would be a nightmare for you, wouldn’t it?’  On reflection, though, had we been a different sort of a family it wouldn’t have happened. I shared this thought with her too, and we both grinned ruefully.

A rather puzzled American friend, and younger brother (in full Afghan bandit rig) guarded Mother and her coffin, while surreal negotiations took place.  (It did give everyone a lot of time to admire the coffin, which, though I says it as shouldn’t, was as exquisite as a Fabergé egg).

I put my spade to good use and dug up the rose and rosemary carefully.  The grave digger came with his little JCB, and the troupe repaired once more to the pub while he did his digging.  Calling out a grave digger at short notice on a Saturday can cost upwards of £500.  You have been warned!  If you have a Saturday afternoon burial in Winter, get the grave dug on the Friday!

Suitably ‘refreshed’, the troupe gathered once again.  This time with a lovely confident FD, resplendent in top hat and tails, directing operations, whom we had neither really wanted, and didn’t really need any more now that the grave digger had been alerted.  He was doing his best to be useful and to put things right in case they had been engaged and somehow he hadn’t understood.  (He hadn’t, of course, it was just that the necessary follow-through hadn’t happened).  Anyway I liked him, and the whole thing was so marvellous it was now worth paying for, if only for the visuals when I came to write an insanely funny, one hour TV screen play based on the occasion.

The FD, who was remarkably composed, had indeed organised the grave digger, and after giving careful instuctions to the bearers, led the way, that we all knew, to the grave – Aha!  There was the hole we needed.  (But, WHO forgets to have the hole dug?!)  Should I warn him that Mother had promised to haunt anyone who wore black?

Mother was finally laid to rest, as the sun cast eerily beautiful shadows on the end of an extraordinary day.  I had brought tulips with me, for her, as a welcome from her husband, and to commemorate sixty years of a passionate love affair which had started in Amsterdam.  She was clearly determined to be the centre of attention, and to milk every last ounce of drama out of her departure.  If the only way of getting another four hours of being a Prima Donna was to orchestrate leaving the grave digging till the Last Possible Moment, then so be it!

The moral of the story is, even if you think you have experience of funerals, event planning, stage management etc, in fact, you cannot tell what effect grief and shock and various levels of family dysfunction may have on you – and having a decent FD (eg J & L Sturney) may well be A Very Good Idea!  When I settled their invoice, I asked if it had ever happened before.  Apparently it had, twice, in the whole history of that particular firm. A dubious distinction.

It took one brother several months to confess that he had had the blue form which the FD needed, in his pocket, all along.

Go see, go see!!

Event Name: Graveland Exhibition
Contact Emailcarlaconte@hotmail.com
Event Start Date: 29/01/2013
Event End Date: 03/02/2013
Admission Cost: free
Event Times: 12-6pm
Venue: The Crypt Gallery
Venue Address: St. Pancras Church, Euston Road, London, NW12BA
Country: England
Region: London (Greater)
Venue Name: The Crypt Gallery
Art Form: Cross Art Form
Statement: A playful art & photography exhibition exploring cemeteries from around the world and how we remember the dead.
Photos, objects, stories & decorations show some of the ways we commemorate, from the traditional to the more unusual. And this will be further explored by artwork including drawing, sculpture, installation, film, performance, craft, writing and music.
Artists: Carla Conte, Hin, Pablo Delgado, Pia Interlandi, Shehnoor Ahmed, Tina Bueno, Rachel Wallace, Kai Yoshino, Candida Lucca, CJ Chandler, Owl & the Abacus, Steve Ferrar, Robin Bath, Matthew Fleming, Giovanni Ferri, Sabra Lawrence and Patrick Harrison. Plus contributions from young people and children.
It aims to open up this often ignored subject and create a space that is beautiful, inviting, informative and respectful. The exhibition will be participatory, inviting the audience to have their say too.
There will be an opening event on 31st January, 6-9pm.
A ‘Death Cafe’ will be held on 1st February, 3-5pm.
All welcome. Free entry. For more info see … www.cemeteriesaroundtheworld.com

Modern life

San Francisco’s prolific garage rockers Thee Oh Sees will follow up last year’s Putrifiers II with Floating Coffin. Due out April 16th via Castle Face Records, the album’s been described as “the next chapter in the story of Thee Oh Sees, the one where they fix their fury against the onrushing night,” according to a press release.

Floating Coffin Tracklist:
01. I Come From the Mountain

02. Toe Cutter – Thumb Buster
03. Floating Coffin
04. No Spell
05. Strawberries 1 + 2
06. Maze Fancier
07. Night Crawler
08. Sweet Helicopter
09. Tunnel Time
10. Minotaur

Source

Wilko Johnson on the fear of death

Former Dr Feelgood guitarist has just been diagnosed with pancreatic cancer and given nine months to live. As he embarks on his farewell tour, this is what he says about it: 

“The things that used to bring me down, or worry me, or annoy me, they don’t matter anymore — and that’s when you sit thinking, ‘Wow, why didn’t I work this out before? Why didn’t I work out before that it’s just the moment you’re in that matters?’

“Worrying about the future or regretting the past is just a foolish waste of time. Of course we can’t all be threatened with imminent death, but it probably takes that to knock a bit of sense into our heads.

“Every little thing you see, every cold breeze against your face, every brick in the road, you think ‘I’m alive, I’m alive’ — I hope I can hang onto that.

“I’ve had a fantastic life. When I think about the things that have happened to me and the things I’ve done, I think anybody who asks for more would just be being greedy. I don’t wanna be greedy.”

Hat-tip to the Gloria Mundi blog

‘I am expecting to kill myself’

Writing in the BBC News Magazine, writer Will Self has news for you. Here are some extracts: 

This may seem rather shocking to you but I am expecting to kill myself.

Really I am, and if you’ll hear me out I hope to at least nudge society in the direction of considering suicide acceptable when – and this is the important point – the alternative is a slow painful death from a terminal illness.

Such is the brilliance of contemporary medical science, at least in our privileged realm, that we can be kept breathing long past the point where our existence is anything save miserable – miserable for us, miserable for our loved ones, and miserable for those who have been appointed by either by the state or a private health plan to minister unto us.

I’ve observed what might be termed a “creeping normalcy” in the existence of the terminally ill – with each successive stage of greater incapacity, indignity and discomfort somehow managing to be incorporated into the daily go-round.

[We] cannot hope to understand how to have a good life, unless we also ready ourselves for a good death.

Read it all here

Hat-tip: Jed

 

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The GFG — putting life back into death

A gothic tale of a dazzling light in a drab world

Posted by Richard Rawlinson (at his very best — Ed)

It was while writing about Medieval music here that my thoughts turned mechancholic about the loss of Isabella Blow, the fashionista who committed suicide a few years ago. A uniquely English eccentric, Issie loved the Middle Ages, and both her wedding and funeral were held with Gothic pomp at Gloucester Cathedral. This linking of the two, which seemed to spring out of nowhere, reiterated for me how we live with the dead in memory, how even seemingly random reminders can trigger thoughts about the past. 

I first met her as Issie Broughton at a party in London in the late 1980s before she married the art dealer, Detmar Blow. I was an office junior at The Spectator and she was fashion editor at Tatler.  Her wide-eyed stare and toothy grin made her charismatic rather than conventionally beautiful but it wasn’t just her idiosyncratic dress sense that attracted attention everywhere she went, it was her electric energy and aura. 

Her machine gun-fire conversation peppered you with outrageous gossip one minute, and genuine kindness the next, before descending into deep gloominess, turning the potential diva into a vulnerable girl.  

Within a few minutes of talking to her, you’d know she had an unreciprocated crush on the young and romantically-titled Thane of Cawdor (‘How couldn’t I fall for a descendant of Macbeth?’) and that her grandfather, Jock Delves Broughton, shot himself in Kenya’s ‘Happy Valley’ (‘Did you see White Mischief?’). You’d then learn of her frustrations about artistic restraints at work and the burden of debts accrued by financial extravagance (“Compromise just isn’t in my vocabulary, darling’). At the same time, she showed disconcerting enthusiasm for your every utterance, however trifling (‘If you’ve always wanted to visit Moscow, you must, must, MUST go without delay. Life’s too short to put things off’). 

While remaining lovable and fascinating, Issie also had a habit of falling out with friends and employers. She’d hold grudges at slights, real or imagined. Her temperament, as high maintenance as her wardrobe, was, as we now know, due to severe bouts of depression and mental illness. 

As she became well-known as the passionate style guru who discovered, nurtured and championed new creative talent from photographers and models to milliner Philip Treacy and designer Alexander McQueen, she felt her own aspirations were unfulfilled. She lived for the benefit of others but desperately needed help herself. 

She was in fact celebrated and patiently indulged by many, including her husband, but the trouble with insanity is its capacity to alienate, to destroy perspective and, in the case of Issie, no amount of love, or giggles-inducing happy pills, could persuade her otherwise. Fag and glass of wine in hand, lipstick smudged and moth-eaten couture frock, mounting debts and bridges burned at glossy magazines, she was, in her warped view, an empty vessel, an ageing, worthless failure for whom death was the only solution. 

It got worse with her seeming inability to find a home in the fashion world she influenced. Issie’s friend Daphne Guinness has said she became upset that Alexander McQueen didn’t take her along when he sold his brand to Gucci. ‘Once the deals started happening, she fell by the wayside,’ says Guinness. ‘Everybody else got contracts, and she got a free dress’. Then she was diagnosed with ovarian cancer. 

She made several suicide attempts, including an overdose of sleeping pills, jumping from the Hammersmith Flyover and trying to drown herself in a lake. She was sectioned in psychiatric wards and given electroconvulsive therapy to no avail. In 2007, at a weekend party at her country house, she drank weedkiller, and died in Gloucestershire Royal Hospital the next day. 

At the funeral at Gloucester Cathedral, husband Detmar has discussed how, while in grief, he was snubbed by a few members of the fashion crowd, ignorant of all the support he gave his wife. 

One memory of the couple is when I asked Issie to help me research a clothing-related feature. She agreed to meet me for lunch. She chose an expensive restaurant, brought along her then new husband, and left me with the hefty bill as payment for her consultancy. They were charming and it was worth it. She also gave me a fat hardback, 1,000 Years of Fashion, with her name, Isabella Broughton, scribbled on the inside page, and a picture of a Medieval dandy on its spine. It remains on my bookshelf, every so often reminding me of a fabulous-yet-flawed woman, a dazzling light in an often drab world.